Earth Rot are an Australian blackened death metal band and this is their third album.
Both 2016’s Chthonian Virtues and 2017’s Renascentia were hugely enjoyable, and worthy of a place in any extreme metal fan’s collection. Continue reading “Earth Rot – Black Tides of Obscurity (Review)”
Macabre Demise is a one-man death metal band from Germany. This is the project’s third album.
Now here’s a band that always seems to hit the spot for me. Both 2015’s Homicidal Parasites and 2017’s Apocalypse demonstrated in no uncertain terms how effective Macabre Demise’s music could be, and now we’re treated to a third full-length. Continue reading “Macabre Demise – Awakening (Review)”
Paganizer are a Swedish death metal band and this is their eleventh album.
Paganizer are a very well-respected band with an imposing body of work, (we’ve covered On the Outskirts of Hades and Land of Weeping Souls in the past). Brought to us by the legendary Rogga Johansson, (Echelon, Megascavenger, The Grotesquery, Those Who Bring the Torture, Just Before Dawn, Ursinne, and many more!), The Tower of the Morbid is 38 minutes of Grade A Swedish death metal ready to destroy. Continue reading “Paganizer – The Tower of the Morbid (Review)”
This is the second album from Cleric, a death metal band from the US.
It’s been quite a wait since 2013’s very tasty Gratum Inferno, and so, sucker that I am for this sort of thing, I was eagerly looking forward to this one. Continue reading “Cleric – Serpent Psalms (Review)”
This is the sixth album from Entrails, a Swedish death metal band.
Entrails are a reliable death metal juggernaut. With both Obliteration and World Inferno the band produced highly enjoyable exemplars of the classic Swedish death metal style, and now with Rise of the Reaper they’re back once again with another 47 minutes of buzzsaw worship. Continue reading “Entrails – Rise of the Reaper (Review)”
This is the second album from Gatecreeper, a death metal band from the US.
2016’s Sonoran Depravation and the band’s split release with Iron Reagan in 2018 were both extremely enjoyable, revealing a talent for old-school death metal. Deserted cements this and pushes further, providing 40 minutes of punishing and engrossing tunes. Continue reading “Gatecreeper – Deserted (Review)”
This is the second album from German death metallers Endseeker.
Endseeker play old-school death metal, with a notably Swedish flavour. It’s big, bold, brash, and brutal. Continue reading “Endseeker – The Harvest (Review)”
Come Back from the Dead are a Spanish death metal band and this is their second album.
My introduction to Come Back from the Dead was on 2017’s Caro Data Vermibus. This was a very pleasing little EP, so it’s good to now see the band return with a new album – 32 minutes of rotten material to sink your fangs into. Continue reading “Come Back from the Dead – The Rise of the Blind Ones (Review)”
Witch Vomit are a death metal band from the US and this is their second album.
Now this is the stuff. Featuring members of Torture Rack and Dagger Lust, I’ve long been a fan of the foulness that Witch Vomit unleash into the world. 2016’s A Scream from the Tomb Below and 2017’s Poisoned Blood were both underground gems of fetid old-school death metal, and Buried Deep in a Bottomless Grave is no different in this regard. Continue reading “Witch Vomit – Buried Deep in a Bottomless Grave (Review)”
Rogga Johansson is a Swedish death metal legend and this is his second solo album.
Rogga Johansson is a man of many bands – listing groups like Paganizer, Down Among the Dead Men, and Echelon only scratches the surface. Not content with his many, many projects, he also has this eponymously named new album. As you would expect, it’s death metal, pure and undiluted. Continue reading “Rogga Johansson – Entrance to the Otherwhere (Review)”
