This is the fourth album from doom rockers Avatarium, who are from Sweden.
2017’s Hurricanes and Halos was a quality album that stood out from other ostensibly similar bands playing this sort of style. On The Fire I Long For, however, there’s the impression that the band have really come into their own. Continue reading “Avatarium – The Fire I Long For (Review)”
Sons of Alpha Centauri are from the UK and this is their latest release. They play instrumental progressive rock.
Sons of Alpha Centauri return! I’ve enjoyed their work in the past, having been introduced to them on their split with Karma to Burn, and then subsequently impressed by their 2018 album Continuum. Continue reading “Sons of Alpha Centauri – Buried Memories (Review)”
Mars Red Sky are a stoner rock band from France and this is their fourth album.
This is heavy psychedelic rock, played with passion and skill. Across 50 minutes Mars Red Sky take the listener on a journey in time, with warm emotion and luscious melody. Continue reading “Mars Red Sky – The Task Eternal (Review)”
Monolord are a doom metal band from Sweden and this is their fourth album.
Mixing doom, stoner, rock, and sludge into 47 minutes of satisfying Black Sabbath/Electric Wizard-esque worship, No Comfort is an enjoyable example of how to deliver a well-worn style with enough personality to be worthwhile. Continue reading “Monolord – No Comfort (Review)”
Wizard Rifle are a US sludge band and this is their third album.
Wizard Rifle are a band that mixes together doom and sludge metal with psychedelic, noise, and progressive rock, creating songs that twist and turn with virile life. A rough approximation of their sound would be a cross between Melvins, Electric Wizard, and Mastodon. Sort of. Continue reading “Wizard Rifle – Wizard Rifle (Review)”
This is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.
I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading “Uniform & The Body – Everything That Dies Someday Comes Back (Review)”
Russian Circles are an instrumental post-rock/metal band from the US. This is their seventh album.
2016’s Guidance was another sterling addition to Russian Circles’ quality discography, and Blood Year continues this trend with 40 minutes of new material. Continue reading “Russian Circles – Blood Year (Review)”
Wear Your Wounds are a post-rock band from the US and this is their third album.
Featuring current/ex-members of Converge, The Red Chord, Cave In, Hatebreed, and Trap Them, don’t let these band names fool you – this might not be what you are expecting. Rust on the Gates of Heaven is not a hardcore supergroup. Rather, it’s a 53-minute journey into reflective post-rock waters, and has more in common with bands like Crippled Black Phoenix, Mogwai, Angels of Light, Russian Circles, and, yes, hints of Cave In, than any of the other bands listed. Continue reading “Wear Your Wounds – Rust on the Gates of Heaven (Review)”
This is the second album from Morass of Molasses, a stoner rock/metal band from the UK.
The Ties That Bind is a hard rocking stoner metal album that combines elements of sludge rock, doom, and distorted blues into its style. Continue reading “Morass of Molasses – The Ties That Bind (Review)”
Cave In are a US post-hardcore/rock band and this is their sixth album.
Final Transmission is born out of and shaped by the trauma of catastrophe; the band’s bassist tragically died in a car accident prior to this album being finished. He plays on each song here, however, with the tracks fully Continue reading “Cave In – Final Transmission (Review)”
Wonderbox Metal 