This is the debut album from Absent in Body, an international doom/post-metal band.
Featuring current and ex-members of Amenra, Neurosis, and Sepultura, Plague God gives us 36 minutes of sludgy industrial post-metal to become lost in and horrified by. Continue reading “Absent in Body – Plague God (Review)”
This is the fourth album from Swiss post-hardcore/metal band Abraham.
Abraham craft eight post-hardcore/metal soundscapes with layered compositions and multifaceted songwriting. The obvious starting point for comparisons would be a band like Neurosis, but with added elements of bands like Knut, Deadguy, and Botch. Continue reading “Abraham – Débris de Mondes Perdus (Review)”
This is the fourth album from one-man blackened doom act Mur.
Cut the Rivers Vein spends 51 minutes mixing together doom, post-metal, and black metal, with elements of folk, ambient, and drone, to great effect. Continue reading “Mur – Cut the Rivers Vein (Review)”
This is the third album from Danish post-metallers LLNN.
Having not caught up with the band since 2016’s very enjoyable Loss, it seemed like a great time to check out what LLNN are up to with their latest release. Continue reading “LLNN – Unmaker (Review)”
Bossk are a UK post-metal band and this is their second album.
Migration contains 42 minutes of charismatic post-metal. Fusing together elements of atmospheric sludge and post-metal build/release, with experimental and psychedelic explorations, Migration is an impressive and accomplished work. Continue reading “Bossk – Migration (Review)”
Dvne are a progressive sludge metal band from the UK and this is their second album.
Etemen Ænka is the 67-minute follow up to 2017’s immensely enjoyable Asheran, and a release I’ve been greatly anticipating. If you’re a fan of bands such as Sorxe, Mastodon, The Ocean, Isis, Minsk, Inter Arma, and Neurosis, then Etemen Ænka is an album for you. Maybe even THE album for you. Continue reading “Dvne – Etemen Ænka (Review)”
This is the third album from Canadian post-metallers Sarin.
Here we have 33 minutes of post-metal that’s influenced by the likes of Isis, Neurosis, and Cult of Luna. Sarin’s music concentrates mainly on the heavier, crushing side of these bands, although there is texture here too. Sarin use Continue reading “Sarin – You Can’t Go Back (Review)”
Farer are a doom band from the Netherlands and this is their debut album.
Monad is a harrowing and uncomfortable 53 minutes that’s made up of components from doom, noise, drone, sludge, and post-metal. The bass is used prominently and well, as you’d expect from a band with two bass Continue reading “Farer – Monad (Review)”
Subterraen are a French sludge/doom band and this is their debut album.
When the promo blurb states that Rotten Human Kingdom is for fans of bands like Eremit, Jupiterian, Lurk, Eyehategod, Neurosis, 71TONMAN, Conan, and Primitive Man, you know you have to check it out. You won’t be disappointed, either. Far from it, in fact. Continue reading “Subterraen – Rotten Human Kingdom (Review)”
Wren are a UK sludge/post-metal band and this is their second album.
2017’s Auburn Rule was a seriously good record. Now that the band have returned, we’re treated to 45 minutes of new material. Continue reading “Wren – Groundswells (Review)”
Wonderbox Metal 