This is the third album from A Pale Horse Named Death, a Gothic/doom metal band from the US.
Featuring the ex-drummer of both Type O Negative and Life of Agony, When the World Becomes Undone is the band’s latest release after a long wait; their second album came out in 2013. Continue reading “A Pale Horse Named Death – When the World Becomes Undone (Review)”
This is the second album from German doom band Carrion Mother.
On Nothing Remains Carrion Mother are channelling their internal harshness in no uncertain terms. In fact, this has now become external harshness that has spread across four tracks, and lasts 53 minutes. Nothing Remains is a colossal monster of harshness and, well, more harshness. Continue reading “Carrion Mother – Nothing Remains (Review)”
Blurr Thrower is a one man atmospheric black metal band from France and this is his debut release.
Blurr Thrower’s music is heavily influenced by the Cascadian scene, which is no bad thing when the results are this good. Continue reading “Blurr Thrower – Les Avatars du Vide (Review)”
This is the second release from US deathgrinders Maltheist.
Five songs, 11 minutes of filth. Yes, this is deathgrind mayhem and underground carnage. We like. Continue reading “Maltheist – Servile (Review)”
Neorhythm are a groove metal band from Finland and this is their latest EP.
This EP contains 5 tracks and 18 minutes of material. There are three new songs, and two covers, (Disturbed and Mudvayne). Continue reading “Neorhythm – Meteoric Thoughts (Review)”
Barshasketh are a black metal band from New Zealand/the UK and this is their fourth album.
My past encounters with Barshasketh have always been very positive, (see their split with Void Ritual and split with Outre), but this is my first exposure to a full length from the band.
Well, I enjoyed the band’s previous work that I’ve heard, but this is something else. Continue reading “Barshasketh – Barshasketh (Review)”
This is the eleventh album from Soilwork, a veteran Swedish metal band.
Soilwork’s eleventh album mixes melodic death metal with fat grooving riffs and a hard rock sensibility that sits at the heart of the band, allowing them to straddle the worlds of metal and rock quite effectively. Having said that, it should be clarified that the rock aspects of this album are mainly hidden underneath a firmly metal veneer; they inform, without overpowering. Continue reading “Soilwork – Verkligheten (Review)”
Cóndor are a Colombian death/doom/heavy metal band and this is their fourth album.
Cóndor, (with members of Siete Lagunas), play a beguiling and personable mix of death metal and classic doom/heavy metal, at least musically. Vocally, we’re firmly in the territory of formidably daemonic harsh growls for most of the time, (we also get the occasional spoken word part and clean singing on the final song, the folky title track). Continue reading “Cóndor – El Valle del Cóndor (Review)”
Le Menhir is a one man post-metal band from the UK and this is his latest EP.
Earlier in the year I had the pleasure of listening to the debut release from this project, Orage. Well, the artist is now back with a new three track EP. After a brief intro track, we get two songs of new material, lasting 17 minutes in total. Continue reading “Le Menhir – Aube (Review)”
This is the fourth album from Nailed to Obscurity, a melodic doom metal band from Germany.
Nailed to Obscurity play a modernised version of old-school death/doom. Black Frost contains 47 minutes of material that can be roughly characterised as a combination of old Katatonia mixed with elements of Paradise Lost, Insomnium, Opeth, Décembre Noir, and others. The band definitely let their own collective personalities shine through in the music, however. Continue reading “Nailed to Obscurity – Black Frost (Review)”
Wonderbox Metal 