This is the debut album from US death metal band Neurectomy.
Overwrought contains 32 minutes of technical death metal and Neurectomy boasts the drummer of Origin in their ranks. Strap in safely, because Neurectomy are about to take you on a ferocious ride. Continue reading “Neurectomy – Overwrought (Review)”
Closet Witch are a grindcore band from the US and this is their second album.
Sometimes, you just need to GRIIIIIINNNND. But not just any kind of grind; no, sometimes you need to grind and burn with the sort of visceral, idiosyncratic grind that leaves scars. For times like that, you have a band like Closet Witch. Continue reading “Closet Witch – Chiaroscuro (Review)”
This is the debut album from Scottish grindcore band Gendo Ikari.
Featuring a member of Ashenspire, Gendo Ikari play scathing grindcore that should appeal to fans of bands such as Discordance Axis, Agoraphobic Nosebleed, Antigama, and Pig Destroyer. It’s fast, it’s nasty, and in 25 minutes it will leave you a bloody puddle on the floor. Continue reading “Gendo Ikari – Rokubungi (Review)”
This is the third album from US progressive metallers The Gorge.
Mechanical Fiction contains 45 minutes of modern, heavy music. The Gorge are an interesting band, in that they are ostensibly a band you’d give the tags of progressive metal and technical metal too, but they also incorporate avant-garde and jazz elements into their style, as well as having an underpinning hardcore/sludge influence that’s formative. Continue reading “The Gorge – Mechanical Fiction (Review)”
This is the debut album Silverburn, a one-man metal/hardcore band from Wales.
Brought to us by an ex-member of Taint and Hark, Self Induced Transcendental Annihilation contains 31 minutes of heavy music that looks back in time for its inspiration, but delivers a slab of brutality wrapped in modern intensity. Continue reading “Silverburn – Self Induced Transcendental Annihilation (Review)”
This is the debut album from US metal band Memorrhage.
Now here’s an album I couldn’t miss out on. Brought to us by a member of Cara Neir, Memorrhage is a tribute to the 90s metal scene, specifically nu-metal and the related styles around this, including hardcore, metalcore, and industrial. Yep, I had to hear this. Continue reading “Memorrhage – Memorrhage (Review)”
This is the second album from UK mathcore band Pupil Slicer.
With a sci-fi theme and a range of different influences, Blossom is a 46-minute journey into Pupil Slicer’s absorbingly intense world. The promo blurb states bands such as Nine Inch Nails, Deafheaven, Radiohead, and Botch as prime influences, and this should set the scene for what is a broad and compelling work. Continue reading “Pupil Slicer – Blossom (Review)”
This is the second album from Death Goals, a hardcore band from the UK.
A Garden of Dead Flowers is a 29-minute album full of character and personality. This is partially down to the varied and charismatic vocals – everything from shrieks to clean singing – and partially down to the music itself, which is expressive and colourful, while Continue reading “Death Goals – A Garden of Dead Flowers (Review)”
Herod are a progressive/post-metal band from Switzerland and this is their third album.
The Iconoclast is the follow up to 2019’s Sombre Dessein and contains 51 minutes of new material. Continue reading “Herod – The Iconoclast (Review)”
This is the second album from Ὁπλίτης (otherwise known as Hoplites), a one-man post-black metal band from China.
Well this is unexpected. Having only unleashed the stunning Ψευδομένη on an unsuspecting world in January, we now get the equally unexpected Τρωθησομένη – 38 minutes of tasty new material from the very talented, (and apparently very prolific), artist behind Ὁπλίτης, (as well as Vitriolic Sage). Continue reading “Ὁπλίτης (Hoplites) – Τρωθησομένη (Review)”
Wonderbox Metal 