Rig Time! are all about the heaviness. Their second album has 25 minutes of it, all punishing beats and grinding groove. Continue reading “Rig Time! – War (Review)”
Atoj’s music is a combination of abrasive Hardcore and 90’s Mathcore. It’s a gritty and dirty EP that showcases a band who have found a sound they’re comfortable with.
The songs are dynamic and interesting, never allowing the listener to slink into complacency, assuming that they know what the next bit will sound like.
This self-titled EP is well-recorded and even on the rare occasions when the band calm down there’s still a palpable intensity to the tracks.
They remind me of a compendium of the heavy parts of older Poison the Well, the aggressive, angular chaos of some of Zao’s work, the Hardcore know-how of Nora, a smidgen of some older bits of The Dillinger Escape Plan and the angry, non-singing parts of Letlive.
An enjoyable rage. Check them out.
I’ve enjoyed this band’s previous work and this short EP is no different.
This is a band who take their cues from classic early 00’s bands like Converge, Botch, Coalesce, Nora, Zao, Most Precious Blood, etc. and combine both Metal and Hardcore into destructive behemoths of pure heaviness.
Here we have 4 tracks lasting just under 9 minutes. As such, it’s short, sharp and straight to the point like a red-hot branding iron.
The first track Wicked Response kicks off with angry guitars and equally angry vocals, snarling at the world, before the blast beats come in and the band begin a full on killing spree. Angular riffs and aggressive attitude dominates proceedings.
Suitable Appellation boasts equally demented riffing and some nightmare melodies. The singer sounds thoroughly pissed and gives a generally great performance across all of these songs. A guitar solo makes its first appearance and is backed up by some chunky rhythms.
New World Vultures is the shortest track here at a minute and a half. Consequently it wastes no time in getting to the meat of the matter and it’s abrasive heaviosity from the get-go.
They end the EP with The Felling, which once again ramps up the speed and intensity. The dynamics are strong and so is the writing. Winner.
I love this kind of Hardcore. Excellent work!
Listen to them here.
I have to say I like the cover, so that’s a good start.
The music itself is well recorded with a sound that accentuates the emotive nature of the band.
Angular riffs and chuggy, expressive guitars chop and change their way through the playing time. This would have been at home in the late 90’s/early 00’s Metallic Hardcore scene which spawned the likes of Botch, Zao, Norma Jean, Poison the Well, Nora, etc.
The songs here are wonderfully constructed and boast lots of ideas and interesting riffs to keep the listener hooked.
The singer performs with great gusto and has a voice that’s somewhere between a shout and a scream. He complements and suits the songs well and provides a warmer human side to the band; the music is emotive in its own right of course, but it has a cold, harsh edge to it that the vocals compensate for. Taken together these tracks are dangerously addictive.
This is a class EP full of the kind of meaty Hardcore Metal that’s in much shorter supply these days than it once was.
They’ve made a fan of me and I can’t wait for a full album now. Bettyœtker are here to stay.