Escuela Grind are a hardcore/grindcore band from the US and this is their third album.
Following on from 2022’s promising Memory Theatre comes the 30 minutes of Dreams on Algorithms. On their new record, Escuela Grind live up to that promise and then some. Continue reading “Escuela Grind – Dreams on Algorithms (Review)”
This is the second album from US death metal band Maul.
I confess I had unreasonably high expectations for this one going in. I really enjoyed 2022’s Seraphic Punishment, in that deeply satisfying way that only quality death metal can give you. Now that the 39 minutes of In the Jaws of Bereavement has arrived with the force of a gigantic hammer, have my expectations been met? Continue reading “Maul – In the Jaws of Bereavement (Review)”
This is the debut album from UK metal act Heriot.
I enjoyed 2022’s Profound Morality, so have been looking forward to Heriot unleashing a full album. I’ll tell you what too, they haven’t disappointed me. Quite the opposite in fact. Continue reading “Heriot – Devoured by the Mouth of Hell (Review)”
This is the fifth album from Pyrrhon, an extreme metal band from the US.
Whatever you want to call it – progressive, dissonant, experimental, avant-garde, etc. – Pyrrhon are not your average band. Their music is atypical and envelope-pushing, while retaining enough death metal sinew amidst the jazz and hardcore influences to propel their extreme metal output forward with creative intensity. Continue reading “Pyrrhon – Exhaust (Review)”
This is the fifth album from US metallic hardcore band 156/Silence.
People Watching contains 47 minutes of 156/Silence’s brand of crushing metalcore. It’s a contemporary blend of hardcore and metal that’s not completely what I expected it to be. Continue reading “156/Silence – People Watching (Review)”
This is the debut EP from Spanish grindcore band Immune to Them.
Five tracks, 10 minutes – it’s time for a hit of grinding ferocity from Immune to Them. Vomit the Chains marks a new entrant into the grindcore killing arena, and we may have a future champion on our hands. Continue reading “Immune to Them – Vomit the Chains (Review)”
This is the third album from Nails, a grindcore band from the US.
There are a fair few albums being released in 2024 that are hotly anticipated, including some from bands that haven’t released anything for a while. For me, near the top of that list is Every Bridge Burning by Nails. 2016’s You Will Never Be One of Us was a grindcore/powerviolence/hardcore monster, so this new record has a lot to live up to. Continue reading “Nails – Every Bridge Burning (Review)”
To the Grave are an Australian deathcore band and this is their third album.
Quickly following on from 2023’s Director’s Cuts, To the Grave are back with the 35-minute Everyone’s a Murderer. I wasn’t expecting to hear more new material so soon from them, but I’m not complaining. Continue reading “To the Grave – Everyone’s a Murderer (Review)”
This is the second album from Swiss sludge/doom band Norna.
Norna contains 41 minutes of dark heavy ugliness, brought to us by the ex-singer of Breach and two members of Ølten. Norna’s music will surely satiate fans hungry for the heavier, darker side of sludge/doom/post-metal. Continue reading “Norna – Norna (Review)”
This is the fourth album from UK black metallers Gråt Strigoi.
Despite being four albums deep into their career, I’ve never heard of Gråt Strigoi before the wonderful Fiadh Productions put them on my radar. It’s seriously been my loss, as this stuff is so far up my alley it hurts. The Prophetic Silence contains 56 minutes of black metal that’s so good you should just stop reading this now and go and listen to it. Continue reading “Gråt Strigoi – The Prophetic Silence (Review)”
Wonderbox Metal 