This is the fourth album from Greyhaven, a hardcore band from the US.
I’ve been looking forward to this. 2022’s This Bright and Beautiful World placed second from the very top on my end of year list, and I loved catching them live at the start of the year. So, with this much expectation, is disappointment inevitable, or can the 41 minutes of music on Keep it Quiet rise to the challenge? Continue reading “Greyhaven – Keep It Quiet (Review)”
Terzij de Horde are a black metal band from the Netherlands and this is their third album.
Whether it’s 2015’s Self or 2022’s In One of These, I Am Your Enemy, Terzij de Horde being the intensity. Now they’re back, sooner than expected, with the 43-minute Our Breath Is Not Ours Alone, and it absolutely rages. Continue reading “Terzij de Horde – Our Breath Is Not Ours Alone (Review)”
Agriculture are a post-black metal band from the US and this is their second album.
The Spiritual Sound is the 44-minute follow up to 2023’s well-received Agriculture. Combing a range of diverse ingredients into an engaging post-black metal sound, Agriculture’s new record is a step up for the band. Continue reading “Agriculture – The Spiritual Sound (Review)”
This is the fifth album from Swiss post-hardcore/metal band Abraham.
Idsungwüssä is the 60-minute follow up to 2022’s Débris de Mondes Perdus. A mix of post-metal, hardcore, and sludge, Abraham’s new record is sure to find firm fans amongst devotees to bands like. Blessings, Coilguns, Converge, Cult of Luna, Inter Arma, Neurosis, The Ocean, Sumac, etc. Continue reading “Abraham – Idsungwüssä (Review)”
This is the debut album from UK hardcore band Still in Love.
Containing 23 minutes of metallic hardcore heaviness, Recovery Language is a wrecking ball of a record, although it hits a little different than you may be expecting. Continue reading “Still in Love – Recovery Language (Review)”
This is the fourth album from US metallic hardcore band Turian.
Blood Quantum Blues contains 38 minutes of music that mixes together punk, metal, and hardcore, with electronics and progressive elements thrown in for extra flavour and texture. Turian have produced an album that rages and snarls, but does so with skill and ability. Continue reading “Turian – Blood Quantum Blues (Review)”
This is the third album from Blessings, a Swedish post-hardcore band.
Four years after Biskopskniven made it’s way onto my 2021 end of year list, Blessings are back, with the 41-minute Blodsträngen. Once again we’re gifted with an amalgam of hardcore, noise rock, post-metal, and sludge, giving rise to a post-hardcore experience that’s remarkable. Continue reading “Blessings – Blodsträngen (Review)”
This is the third album from Spanish post-hardcore band Boneflower.
Reveries contains 38 minutes of music; a mix of hardcore, screamo, post-rock, and shoegaze, delivering a post-hardcore record that’s definitely above average for the style. Boneflower have produced an album that manages to walk two different paths simultaneously, and somehow manages to make it work. No mean feat. Continue reading “Boneflower – Reveries (Review)”
This is the second album from Shock Narcotic, a grindcore band from the US.
Following on from 2019’s I Have Seen the Future and It Doesn’t Work, My Flesh Is Afraid but I Am Not contains 23 minutes of new material, (27 minutes with the bonus Meathook Seed cover). Featuring current and ex-members of bands such as The Dillinger Escape Plan and Child Bite, I’ve previously described Shock Narcotic roughly as a cross between Napalm Death and Pig Destroyer, and as the band now feature the drummer of Pig Destroyer in their ranks, the comparison is even more apt. Continue reading “Shock Narcotic – My Flesh Is Afraid but I Am Not (Review)”
This is the fifth album from Greek grindcore band Dephosphorus.
Dephosphorus play an extreme metal amalgamation of hardcore, grind, death metal, and black metal. It’s vicious, inventive, and rather tasty. Over 28 minutes Planetoktonos showcases what Dephosphorus are capable of in no uncertain terms. Continue reading “Dephosphorus – Planetoktonos (Review)”
