This is the second album from Drouth, a black/death metal band from the US.
This is sinister black metal that has had its delivery deepened by death metal’s gnarled bite. It’s a sinister and menacing 40 minutes, but a richly textured one also, ripe with atmosphere and expressive feeling. Continue reading “Drouth – Excerpts from a Dread Liturgy (Review)”
This is the fourth album from US avant-garde black/death metal band Imperial Triumphant.
Referring to Imperial Triumphant as a black/death metal band, (as I’ve just done here for sake of brevity), is highly misleading really, as this is one of the more individual and unique bands in existence. They play an avant-garde, experimental mix of styles that includes, (but is not limited to), black metal, death metal, progressive metal, doom, jazz, and post-everything. Continue reading “Imperial Triumphant – Alphaville (Review)”
Descend into Despair are a Romanian doom metal band, and this is their third album.
I like Descend into Despair very much. Both 2014’s The Bearer of All Storms and 2017’s Synaptic Veil scratched that funeral doom itch quite nicely. Continue reading “Descend into Despair – Opium (Review)”
This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
Eremit are a doom/sludge band from Germany and this is their latest EP.
I loved 2019’s Carrier of Weight, so much that it appeared in my end of year 2019 list too. As such, when this new EP appeared – two tracks, lasting 21 minutes – I knew I had to consume it hungrily. Continue reading “Eremit – Desert of Ghouls (Review)”
TOOMS are an Irish progressive sludge metal band and this is their debut album.
Combining elements of sludge, doom, drone, stoner, and hardcore, with progressive and psychedelic touches, The Orb Offers Massive Signals contains 56 minutes of individual and well-crafted sludge nastiness. Continue reading “TOOMS – The Orb Offers Massive Signals (Review)”
Mazzeri are a French doom metal band and this is their debut album.
Mazzeri contains four tracks, with a total duration of 48 minutes. It’s a release that contains many surprises, and contains many wonders. Continue reading “Mazzeri – Mazzeri (Review)”
This is the third album from Lantern, a Finnish blackened death metal band.
2017’s II: Morphosis was a grim and evil collection of tracks, and made a good enough impression that I knew I wanted to check out Dimensions when it appeared. These new tracks are dismal and dark, fusing death, black, and Continue reading “Lantern – Dimensions (Review)”
Rites of Daath are a death metal band from Poland and this is their debut album.
Rites of Daath play morbid, filthy death metal crossed with atmospheric death/doom, resulting in a hideous monstrosity of blackened horror that makes for quite an impressive and immersive 38 minutes. Continue reading “Rites of Daath – Doom Spirit Emanation (Review)”
Convocation are a funeral doom band from Finland, and this is their second album.
I enjoyed 2018’s Scars Across; the band’s brand of atmospheric funeral death/doom was crushingly oppressive and filled with misery, just as you’d want something like this to be. Convocation have now returned with 45 minutes of Continue reading “Convocation – Ashes Coalesce (Review)”
Wonderbox Metal 