Cosmic Putrefaction is a one-man death metal band from Italy.
Here we have 34 minutes of progressive death metal, which takes us on a cosmic journey through the outer regions, taking in doom and black metal sights along the way. Continue reading “Cosmic Putrefaction – The Horizons Towards Which Splendour Withers (Review)”
Ashtar are from Switzerland and play blackened doom. This is their second album.
It’s been five years since we were graced with Ashtar’s presence; Ilmasaari was a very notable and satisfying record, and Kaijuka even more so. Continue reading “Ashtar – Kaikuja (Review)”
In the Company of Serpents are a doom/sludge band from the US and this is their fourth album.
Having thoroughly enjoyed Merging in Light and Ain-Soph Aur, a new 44 minutes of music from In the Company of Serpents is very welcome indeed. Continue reading “In the Company of Serpents – Lux (Review)”
This is the 16th album from UK metal band Paradise Lost.
This is the eagerly awaited follow up to 2017’s Medusa, which was a thoroughly enjoyable album through and through. Back with 45 minutes of new material on Obsidian, this is a great time to be a Paradise Lost fan. Continue reading “Paradise Lost – Obsidian (Review)”
Afsky is a one-man Danish black metal band and this is his second album.
Ofte Jeg Drømmer Mig Død is the follow up to the very enjoyable Sorg from 2018, and contains 46 minutes of new material. Mixing small parts of folk and doom into a traditional black metal approach, this is a melancholic and emotive take on the blackened style. Continue reading “Afsky – Ofte Jeg Drømmer Mig Død (Review)”
This is the second album from Italy’s one-man blackened doom band Noctu.
Gelidae Mortis Imago contains 74 minutes of atmospheric blackened funeral doom. Containing three brief atmospheric pieces as preludes to the three main monstrous songs, this album is an imposing proposition for people allergic to Continue reading “Noctu – Gelidae Mortis Imago (Review)”
This is the fourth album from progressive stoner/sludge doom metallers Forming the Void.
I enjoy Forming the Void’s work; 2018’s split with Pyreship and Rift were both quality releases, but on Reverie, the band have produced something quite wonderful. Continue reading “Forming the Void – Reverie (Review)”
This is the tenth album from Forgotten Tomb, an Italian black/doom/sludge metal band.
2015’s Hurt Yourself and the Ones You Love and 2017’s We Owe You Nothing are both favourites of mine, so it’s great to have some new work from Forgotten Tomb, especially something as well-wrought as Nihilistic Estrangement. Continue reading “Forgotten Tomb – Nihilistic Estrangement (Review)”
This is the second album from Japanese doom band Blacklab.
Taking a jagged, almost experimental approach to doom, Blacklab’s music is a curious fusion of Black Sabbath, Boris, and The Stooges. This is dark, raw, and peppered with hardcore and noise rock influences. Continue reading “Blacklab – Abyss (Review)”
Civerous and Stygian Obsession are both US death metal bands, and they’ve teamed up for this split release.
This is my first encounter with Civerous, but their 17-minute side of this split means that hopefully it won’t be my last, as it definitely makes me want to hear more from them. Continue reading “Civerous/Stygian Obsession – Heralds of Affliction – Split (Review)”
Wonderbox Metal 