Following on from 2014’s Eldritch and 2017’s Gnosis, Saille now return with V, which contains 46 minutes of new material. Saille are not the same band we have met in the past, however. The 2021 incarnation of Saille is Continue reading “Saille – V (Review)”
Eldritch boasts a strong, sharp, clear sound that the band put to good use showcasing their aggressive brand of Symphonic Black Metal.
A punchy drum sound underpins Blackened melodies and serrated vocals whilst haunting, malevolent keyboards play over the top.
I particularly like the vocalist’s screams as they seem quite passionate and unhinged. His is not a performance that’s merely by the numbers; it’s a forceful and powerful delivery. Understated cleans also make appearances adding another element to the band’s sound.
The band make good use of Dimmu Borgir-style keyboards and sound effects without them ever becoming overbearing or ostentatious. Saille are comparable to an older Dimmu Borgir in other ways too; this is Symphonic Black Metal with real bite and an underground feeling to it despite the shine and polish the album has.
The songs are fast, churning affairs that are enhanced by the Classical influences. They’re enjoyable and it’s nice to hear the atmosphere mixed with real aggression and hatred.
Eldritch is a quality listen; a heady combination of dark atmosphere and blasting fury.
A recommended listen.