Verheerer are a German black metal band and this is their debut album.
Here we have 49 minutes of black metal that’s both obscure and creative. Continue reading “Verheerer – Maltrér (Review)”
Verheerer are a German black metal band and this is their debut album.
Here we have 49 minutes of black metal that’s both obscure and creative. Continue reading “Verheerer – Maltrér (Review)”
Profane Burial are an orchestral/symphonic black metal band from Norway and this is their debut album.
There’s a lot of music out there in the world, and sometimes you have to decide just how you’re going to filter through it all and give something a listen. Sometimes this can be tricky work, but not in the case of Profane Burial. I knew I had to listen to this due to the presence of Continue reading “Profane Burial – The Rosewater Park Legend (Review)”
Ritual King are a rock band from the UK and this is their latest EP.
This is personable blues/stoner rock, with plenty of groove and attitude. At 15 minutes in length it’s a good introduction to the band’s approachable brand of rock and roll. Continue reading “Ritual King – Earthrise (Review)”
Har are a black metal band from Israel and this is their latest EP.
Containing 18 minutes of the foulest black magicks, this EP is not for the weak of constitution. Har create black metal that’s threatening and malevolent. Continue reading “Har – Visitation (Review)”
Byyrth are a US black metal band and this is their second album.
This is some really nasty stuff. Here we have 27 minutes of raw black metal that goes straight for the jugular and JUST DOESN’T STOP. Continue reading “Byyrth – Echoes from the Seven Caves of Blood (Review)”
New Gridfailure. Great. More nightmares tonight for me. Why do I even bother listening to this kind of stuff? I mean, what’s to like here? Is it the urbanised terror of an impending soulless apocalypse? Is it the gradually-encroaching realisation that everything you have ever loved and everyone you have ever known will eventually be taken form you? Is it the digitised psychic pain of countless trapped, hopeless lives? No? Then what? I’m really asking. What draws you, and me, to listen to something like Gridfailure. If you’re reading this then you must have at least a passing interest in hearing the aural equivalent of long-buried mental scars burrowing their way to the surface, so why do you subject yourself to it? Why do you, actively, probably passionately, seek out this experience, a horrific, mind-killing experience like Irritum? Go on, tell me. Please. I’m begging you. Because try as I might, I can’t help but really, really like Gridfailure’s work, so I need to know why I’m so irresistibly drawn to it. Maybe this says more about me than the music, but there’s something maddeningly relaxing about having your ears slowly bleed as you endure the 52 minutes of grim soundscapes that occupy the radiation-blasted landscape of this album’s playing time like corrupted mechanical cockroaches. Something about Irritum calls to me in binary, demanding to be understood by my hopelessly out-of-date grey matter, clawing at my subconscious, like a cyberdaemon being birthed behind my eyes. I mean, what the Hell? Why can’t I let go? Why do I rate this stuff so highly? Why do I think that Irritum is actually some of the best material that Gridfailure’s twisted controlling intelligence has conceived and unleashed so far? Maybe I’m just in pain, in deep, internal pain, and Irritum soothes me, by letting me know I’m not the only one suffering. Or maybe I’m just a masochist, torturing myself with prolonged exposure to industrialised fear. Or maybe I’m just deceiving myself. Maybe I’ve known the truth all along. In fact, I know I have, I’ve just been unwilling to admit it to myself, as if admitting something as terrible as this would make it somehow even more real than it already is. The real, true secret is terrible. Of course it is. The truth is, that I
This is a split release between Tentation and Iron Slaught, who are both heavy metal bands from France.
Tentation start us off. I’m familiar with them from their enjoyable 2015 self-titled release, where they introduced the world to their 80s-influenced classic heavy metal style. Continue reading “Tentation/Iron Slaught – 665 Les Hordes Metalliques – Split (Review)”
Crypt Rot are a death metal band and Cringer are a crossover thrash band, both are from the US and they have teamed up for this split release.
Kicking us off with 11 minutes of very enjoyable Swedish-styled death metal is Crypt Rot. Continue reading “Crypt Rot/Cringe – Nocturnal Deterioration | Memento Mori – Split (Review)”
This is the fifth album from US sludge metal band Ilsa.
Ilsa are well-known around these parts for being prime suppliers of dirty, heavy, riff-driven kicking metallic sludge. 2015’s The Felon Claw and 2012’s Intoxicantations in particular were both huge, crushing records which still get regular rotation from yours truly. Continue reading “Ilsa – Corpse Fortress (Review)”
Crawl play blackened doom, and Leviathan play black metal. Both are solo artists from the US and have got together to birth this hideous, reeking mass of unpleasantness.
This split lasts 24 minutes, with each artist contributing a single track lasting 12 minutes exactly. Continue reading “Crawl/Leviathan – Split (Review)”