Strangle Wire are an Irish death metal band and this is their latest EP.
This is the follow up to the band’s debut release Narcissism, which was an enjoyable brief introduction to Strangle Wire’s brand of nastiness. They are now back, and I’ve pleased to say they have built on their initial promise. Both of the songs on the band’s first release have resurfaced on The Dark Triad, but now they’ve brought friends to the party too. Continue reading “Strangle Wire – The Dark Triad (Review)”
This is the second album from King Goat, a progressive doom metal band from the UK.
I’ve been extremely excited for this one. This is a band that takes everything I love about traditional doom metal and combines it with a progressive metal element that sees the songs soar above almost all of their so-called peers with ease. Continue reading “King Goat – Debt of Aeons (Review)”
Boss Keloid are a UK progressive sludge/doom metal band and this is their fourth album.
2016’s immense Herb Your Enthusiasm was a landmark release for the band. It was, quite simply, such a good Continue reading “Boss Keloid – Melted on the Inch (Review)”
This is the fourth album from Swedish/Finnish grinders Afgrund.
This is 24 minutes of vicious grindcore with both a d-beat crust and a death metal influence. Continue reading “Afgrund – The Dystopian (Review)”
This is a split between two Austrian black metal bands – The Negative Bias and Golden Dawn.
The release starts with The Temple of Cruel Empathy by The Negative Bias. This is a 12-minute foray into the atmospheric black metal cosmos. Continue reading “The Negative Bias/Golden Dawn – Split (Review)”
Deadly Carnage are an Italian post-black metal band and this is their fourth album.
This is 45 minutes of creative metal, mixing black metal with doom, post-metal, and progressive influences. The band have produced an epic, exploratory journey across the cosmos, and do this via some expressive and emotive music. Continue reading “Deadly Carnage – Through the Void, Above the Suns (Review)”
This is the debut album from US drone/noise band Clawing.
This is a harrowing, uncomfortable trip into dark ambient, drone, noise, and doom waters. Apparently this is a concept album about night terrors, child abuse, and haunted houses. No, this is not a light and friendly listen. Continue reading “Clawing – Spectral Estate (Review)”
Ende are a French black metal band and this is their fourth album.
I very much enjoy Ende’s work. Both 2015’s The Rebirth of I and 2017’s Emën Etan were effective examples of traditionally-delivered raw black metal, played well and with good songs. It’s only actually been a year since Emën Etan, but it seems there has been no rest in the Ende camp. Their lack of sleep is to our benefit, however. Continue reading “Ende – Goétie Funeste (Review)”
Black Mass Pervertor are a Finnish black metal band and this is their latest EP.
As this is the band’s first outpouring of filth since 2016’s Phanerosis, I knew I had to expose myself to their virulent and toxic take on black metal as soon as I could. Hey, it’s worth the risk. Continue reading “Black Mass Pervertor – Life Beyond the Walls of Flesh (Review)”
Arya are an Italian progressive/post-metal band and this is their third album.
I enjoyed last year’s Dreamwars. This was a curiously individual release, blending emotive modern progressive/alternative metal with a dreamy strain of post-metal. It’s an album that is striking upon first listen, but properly Continue reading “Arya – Endesires (Review)”
Wonderbox Metal 