I do like me some Swedish grind. Grid play merciless grindcore, with fiery blasts, punishing d-beats, and melodic crust all included in their aggressive formula. I very much liked 2017’s Human Collapse Syndrome, so I had high hopes for Livsleda, and it has not disappointed. Continue reading “Grid – Livsleda (Review)”
Mixing classic d-beat crust with the uglier side of death metal, this is 8 minutes of pitch-black fury and aggression. Continue reading “Neolithic – Cult of Ignorance (Review)”
This is an interesting and enjoyable release. Blending various different heavy genres into one rocking whole, Vicious Circles showcases a band that are comfortable in their own skin and ready to bring the riffs wherever necessary. Continue reading “Groke’s Clan – Vicious Circles (Review)”
This is quite hard to classify, but essentially Den Förstörda Människans Rike is a festering, ugly mix of Swedish death metal, hardcore/crust and Swedish grind.
This is deathgrind of the highest, yet filthiest variety. Think of a mutant mix of Dismember, Nails, Anaal Nathrakh, Nasum and Martyrdöd. Continue reading “Henry Kane – Den Förstörda Människans Rike (Review)”
With a very unassuming cover, along with the brief intro track, this seems to Continue reading “Myteri – Myteri (Review)”
Ambassador Gun play their music with harsh melody, Hardcore abandon and Grinding brutality. On paper their Grindcore is no different to many others’, but in reality the riffs and melodies used are quite atypical and interesting.
The band are upbeat and have their blasting moments, but this is more about the songs having an energy about them rather than speed for the sake of it.
The tracks are somewhat of a cross between the Hardcore d-beat of a band like Martyrdöd, the experimental, unusual Grind of Cloud Rat, the insectile mayhem of Discordance Axis and the Sludge edge of Colombian Necktie.
There’s lots of dynamics on display here and these are songs that are built to last. The band use melody well, but not in a melodic way; I know this sounds almost contradictory, but this is not a melodic band in the obvious sense. However, they achieve it in a muted, angry way and their songs have their own internal colour and sparkle because of this, despite the abrasive, serrated veneer.
This really is an exceptionally enjoyable release with enough bluster and brutality to have an instant appeal, yet with enough nuance and depth to be long lasting once the initial appeal of the violence and carnage has faded.
This is 26 minutes of exciting, visceral Extreme Metal. Highly recommended.
The first song on this album is called Provoke Me, and this serves as an ample motto of reference for Muck’s acerbic and violent Hardcore. This is music to fight to.
The band play with a kind of focused looseness, which means that although the band are tight enough to deliver a professional album they also have enough vitality in them so that everything sounds naturally dangerous and beautifully aggressive.
The riffs are a combination of the more modern, aggressive Hardcore breed and a more traditional, Old-School feel. The merger of the two together makes for an intriguing and enticing listen as the band rage through ten tracks of carnage.
Inhabiting the middle ground between Converge’s sharpened aggression and Martyrdöd’s D-beat extravaganzas, Muck form a bridge between the two that allows the listener to enjoy both styles in one package.
Well I’ve really enjoyed this. Listen loud and get ready for violence.
Elddop has a heavy sound with the music sounding organic and lively; a well-produced rawness, if you will.
The band are quite melodic with their riffing. Typically the rhythm guitar lays down a firm, heavy foundation whilst the lead guitar adds colour and flavour over the top. Some of the riffs are quite inventive and the band gives a passionate performance.
The music is of the d-beat Crust variety but is not purely limited to this. The drums power the songs as the guitars make their melodic massacres. This style of music has its roots in the past in bands like Discharge, but a more modern point of reference would be Kvelertak I suppose.
Vocally we have savage shouts that sound hoarse and desperately urgent. It’s as if the singer can’t quite wait to blurt out what his message is, but he feels so disgusted by whatever he’s talking about that he can’t help but just shout it at the top of his lungs. It all adds a refreshing energy to the tracks. Thinking about it, he reminds me of the singer of At The Gates/Lock Up/etc., only deeper and a bit harsher.
Occupying that rarest of spaces where harshness and melodics meet, Martyrdöd have produced an enjoyable album that takes the Crust template, adds a little bit of Metal to it and then vomits vitriol and poisonous invective over everything.
Listen loud and let Martyrdöd shake your world.