Upon Stone are a melodic death metal band from the US and this is their debut album.
Upon Stone play melodic death metal in the classic Scandinavian style. The band list influences such as At the Gates, In Flames, and Dissection, so you should have a decent idea of where Dead Mother Moon is coming from. Across a lean 32 minutes Upon Stone demonstrate that they understand the style well. Continue reading “Upon Stone – Dead Mother Moon (Review)”
This is the latest EP from Alluvial, a modern death metal band from the US.
Following on after 2021’s Sarcoma, Death Is But a Door contains four new songs and has a total duration of 17 minutes. Strap in, it’s gonna get heavy. Continue reading “Alluvial – Death Is But a Door (Review)”
This is the debut album from US solo death metal act Engulf.
Across 36 minutes The Dying Planet Weeps spans a range of influences, from the old-school to the new. The music of Engulf prioritises a non-standard song-based approach that combines sinuous riffs, expressive harsh vocals, and macabre darkness. Continue reading “Engulf – The Dying Planet Weeps (Review)”
This split is between two US bands, Aberration and Diabolic Oath, both of whom play black/death metal.
Each band contributes one song to this split. We start with Aberration, with the six-minute Divinations of Flesh. Aberration contain members of Nothingness, Void Rot, and Suffering Hour, so it’s safe to say expectations are high. Continue reading “Aberration/Diabolic Oath – Divinations – Split (Review)”
This is the second album from Australian death metal band Revulsed.
Cerebral Contamination is a 36-minute assault of brutal riffs, blasting technical savagery, and guttural vocals. Yes, Revulsed play brutal death metal, and they’re here to rip the skull out of your head by the eye sockets. Continue reading “Revulsed – Cerebral Contamination (Review)”
This is the second album from Devils Reef, a death metal band from the US.
Following on from 2021’s Chosen by the Sea, The Droste Observer is an evolved form of this death metal predator. Offering up a lean, mean 36 minutes of new material, Devils Reef demonstrate that they are worth being mentioned in the same breath as bands like Revocation, The Black Dahlia Murder, Obscura, Allegaeon, Black Crown Initiate, and the like. Continue reading “Devils Reef – The Droste Observer (Review)”
This is the third album from Canadian death metal act Phobocosm.
Foreordained contains 41 minutes of cavernous, doom-infused death metal. It’s a journey into the lightless places that are hard to reach, but if you can endure the extreme environments they offer, then there are many potential rewards to be had. Continue reading “Phobocosm – Foreordained (Review)”
This is the latest EP from Beyond Grace, a death metal band from the UK.
I always enjoy catching up with Beyond Grace, and have watched their development closely over the years. From the early promise of 2014’s Monstrous, to the debut roar of 2017’s Seekers, to 2021’s crowning achievement so far Our Kingdom Undone, Beyond Grace’s upward trajectory has been a satisfying and rewarding one. Continue reading “Beyond Grace – Welcome to the New Dark Ages, Part 1 (Review)”
This is the second album from international death metallers Cruciamentum.
Featuring current/ex-members of Vacivus and Perdition Temple, Cruciamentum play old-school death metal that fans of acts such as Incantation, Corpsessed, Ritual Necromancy, Fossilization, and Immolation should check out. Continue reading “Cruciamentum – Obsidian Refractions (Review)”
This is the debut album from US death metal band Distention.
Featuring current and ex-members of bands such as Equipoise, Rivers of Nihil, The Kennedy Veil, The Last Ten Seconds of Life, and Virulent Depravity, you know a lot of experience has gone into the 30 minutes of brutal material on Nothing Comes from Death, and it shows. Continue reading “Distention – Nothing Comes from Death (Review)”
Wonderbox Metal 