This is the third album from Belgian post-metallers Hemelbestormer.
I’m not the biggest fan of instrumental music, but sometimes a band comes along and makes it work notably well. With 2016’s Aether and 2018’s A Ring of Blue Light, Hemelbestormer were just one such band. Now they’ve returned with Collide & Merge, which boasts a whopping 73 minutes of new material. Can Hemelbestormer continue their upward trend? We shall see. Continue reading “Hemelbestormer – Collide & Merge (Review)”
This is the second album from Daxma, a doom/post-metal band from the US.
Following on from 2017’s The Head Which Becomes the Skull, by way of the 2019 EP Ruins upon Ruins, Unmarked Boxes is a record I’ve been waiting for. Daxma deal in luscious doom and post-metal soundscapes that are absolutely awash with atmosphere and run deep with emotive content. Continue reading “Daxma – Unmarked Boxes (Review)”
Obscura are a progressive/technical/melodic death metal band from Germany and this is their sixth album.
Following up on 2018’s Diluvium, 2021’s A Valediction contains 52 minutes of new material. The band have opted for a of a change of direction on their latest album, but despite this it’s still a version of the band so many know and love. Continue reading “Obscura – A Valediction (Review)”
This is the fourth album from Plebeian Grandstand, a French black metal/hardcore/experimental band.
It’s been a while since the vicious malignant dissonance of 2016’s False Highs, True Lows, so how have Plebeian Grandstand spent the time? Mutating and growing, it seems. Continue reading “Plebeian Grandstand – Rien ne Suffit (Review)”
Khemmis are a doom metal band from the US and this is their fourth album.
Khemmis are a great band, it’s as simple as that. Across three very well-received albums, (Absolution, Hunted, and Desolation), they have established themselves as modern doom metal heavyweights extraordinaire. On Deceiver Khemmis have continued their trend of high quality releases, and it’s one not be missed. Continue reading “Khemmis – Deceiver (Review)”
This is the twelfth album from Eldritch, an Italian power/progressive metal band.
I’ve returned to 2014’s Tasting the Tears more times than I would have thought over the years; it’s just a really good album. Imagine my surprise to discover that they’ve had two entire albums out since that one, and that’s before we even get to their latest release, Eos. Continue reading “Eldritch – Eos (Review)”
This is the eleventh album from US death metallers Pathology.
Both 2017’s Pathology and 2019’s Reborn to Kill were brutally fun records to listen to. What of The Everlasting Plague?
Unexpectedly lengthy, (relatively speaking), at 41 minutes in Continue reading “Pathology – The Everlasting Plague (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
A new release from Avantgarde Music is almost always worth exploring. Whenever I see a new record from the label on the horizon, I know to pay attention. With a strong track record for producing engaging and interesting black metal and doom albums, there’s always something good to discover… Continue reading “Label Roundup: Avantgarde Music – Mesarthim, Ikarie, & Olio Tähtien Takana (Reviews)”
This is the fifth album from German black metal band Der Weg Einer Freiheit.
Following on from 2017’s Finisterre, Noktvrn is an album that finds Der Weg Einer Freiheit at the height of their powers. Containing 48 minutes of progressive and atmospheric post-black metal, Der Weg Einer Freiheit sound darkly vibrant and full of expressive might. Continue reading “Der Weg Einer Freiheit – Noktvrn (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Nuclear Blast is a record label that should need very little introduction, as the label has released so many classic albums over the decades. As such, lets just dive right in to some of their latest releases… Continue reading “Label Roundup: Nuclear Blast Records – Northtale, Suffocation, & Hammerfall (Reviews)”
Wonderbox Metal 