Holy crap, what the Hell is this? I looove it when you stumble blindly upon something as unexpectedly individual as this, especially when it’s done so well. Done poorly, this would be unlistenable nonsense, (and I’m sure there are some that would regard this as such), but Endon have a talent, it seems, for producing unusual, non-easy Continue reading
This is the follow up to the belligerent Sahataan ne Kaikki from 2015. Like Royalty finds Sågverk in fine form. They have managed to take what made their debut album so enjoyable and refine and develop it further into the very satisfying 38 minutes of music that they have given us here. Continue reading
Lucifer’s Fall are an Australian doom metal band and this is their latest release. It’s an oddball collection of rarities – live tracks, rehearsals, covers, splits, demos, etc. – 62 minutes of raucous, rocking doom metal. Sorry, DOOM METAL!
I can’t help but really like Lucifer’s Fall. They’ve got songs, they’ve got attitude, and they’ve got balls. What’s not to like? Continue reading
There’s 10 minutes of nastiness here, with 40% of the playing time taken up by the closer Freedom Is Slavery. Continue reading
With very little information about this band, (that I could find), other than what’s available from the below Bandcamp page, we’re left to simply absorb the 19 minutes of material we are confronted by on Last World, Dead Universe. Continue reading
Here we have 10 minutes of energetic and charismatic hardcore. This is sharp, scathing music that knows a good riff when it sees it and is backed up by punishing beats and a sense of songwriting that’s compelling and moreish. Continue reading
Despite forming in 1991, this is Psychoneurosis’ first full length. The band reactivated in 2016 after being quiet for a decade and a half. I became familiar with Psychoneurosis through their recent split with Agathocles, which I quite enjoyed. Continue reading