In the Woods… are a Norwegian progressive metal band and this is their sixth album.
Diversum contains 50 minutes of avant-garde metal that takes elements of the progressive, pagan, doom, and post-black metal styles into its sound to produce a compelling collection of tracks. Continue reading “In the Woods… – Diversum (Review)”
This is the third album from Swiss/Italian progressive metal band Virtual Symmetry.
Virtual Symmetry play progressive metal, and on their self-titled new album they give us 63 minutes of professionally crafted material. Also, you’ve got to love it when a band opens their album with a 20-minute epic. Spoiler alert – it’s a very good track indeed. Continue reading “Virtual Symmetry – Virtual Symmetry (Review)”
This is the sixth album from US power metallers Judicator.
Following on from 2020’s Let There Be Nothing, The Majesty of Decay delivers 61 minutes of conceptually driven metal. Whereas Let There Be Nothing was historically themed, The Majesty of Decay takes a more contemporary approach, and feels more personal because of this. Continue reading “Judicator – The Majesty of Decay (Review)”
This is the debut album from US progressive metal band This Is the Last Time.
Acclimation features four songs, with a total duration of 31 minutes. The promo blurb mentions bands such as Cloudkicker, Meshuggah, Isis, Year of No Light, In Flames, Between the Buried and Me, Gorguts, and Pelican, so this should give you some insight into the waters that Acclimation wades in. Continue reading “This Is the Last Time – Acclimation (Review)”
This is the twelfth album from UK progressive metallers Threshold.
Threshold always put out a good album, (check out 2014’s For the Journey and 2017’s Legends of the Shire for a couple of examples), so who could resist it when the 65 minutes of new material on Dividing Lines appeared? Not I. Continue reading “Threshold – Dividing Lines (Review)”
Lamentations are a Singapore/US death metal band and this is their second album.
Featuring members of Tómarúm and Monotheist, Lamentations play progressive death metal, and Passion of Depression provides us with 57 minutes of exotic material to explore. Continue reading “Lamentations – Passion of Depression (Review)”
This is the third album from Canadian progressive metallers Osyron.
Osyron play a form of progressive metal that takes influence from both old and new. There are elements of classic power and heavy metal, alongside newer, heavier, modern metal influences, Continue reading “Osyron – Momentous (Review)”
This is the fourth album from German progressive metal band Disillusion.
Ayam offers 59 minutes of idiosyncratic progressive metal. Highly melodic, with atmospheric, symphonic, and avant-garde touches, Disillusion have created a big, epic album, in more ways than one. Continue reading “Disillusion – Ayam (Review)”
This is the debut album from Finnish death metallers Devenial Verdict.
Containing an ex-member of Hooded Menace, Ash Blind provides the listener with 44 minutes of atypical death metal. The promo blurb recommends this for fans of acts such as Ulcerate, Aeviterne, Morbid Angel, Mithras, and Blut Aus Nord, which is a good place to start from when approaching Ash Blind. To this list I’ll also add older Rivers of Nihil and Gojira. Continue reading “Devenial Verdict – Ash Blind (Review)”
This is the debut album from international death metallers Obsidious.
Containing current and ex-members of bands such as Alkaloid and Obscura, Obsidious play a form of progressive/technical death metal that melts faces, but does so with an epic hook. Continue reading “Obsidious – Iconic (Review)”
Wonderbox Metal 