This is the fourth album from Scottish rock band Vukovi.
My God Has Got a Gun operates in a less-defined place where rock and pop collide. Throw in some nu-metal influences too, and you’ll have a good idea of where Vukovi are coming from. Continue reading “Vukovi – My God Has Got a Gun (Review)”
This is the debut album from French modern metal band Vestige.
To give a flavour of the sort of hybrid style that Vestige play, the promo blurb states that Janis is for fans of Deftones, Alcest, Loathe, and Sylvaine. In practice, this means a modern metal blend of post-metal and black/shoegaze. This results in songs that are highly atmospheric, yet also song-focused. Continue reading “Vestige – Janis (Review)”
This is the second album from Kurokuma, a doom/sludge band from the UK.
Kurokuma have come a long way since they started, from 2016’s sludge/doom EP Advorsus which pegged them as ones to watch, to 2022’s more adventurous debut album Born of Obsidian. The band are now back with the 38-minute Of Amber and Sand, which finds Kurokuma pushing their experimental side even further, while retaining their core of heaviness. Continue reading “Kurokuma – Of Amber and Sand (Review)”
Alpha Wolf are an Australian metalcore band and this is their third album.
I thoroughly enjoyed 2020’s A Quiet Place to Die, as well as 2022’s split with Holding Absence The Lost & the Longing, so more new material from Alpha Wolf is very well-received. I dislike the album art, but ignoring that, what do Alpha Wolf have in store for us this time around? Continue reading “Alpha Wolf – Half Living Things (Review)”
Defocus are a German metalcore band and this is their second album.
Following on from 2021’s In the Eye of Death We Are All the Same comes There Is a Place for Me on Earth, bringing us 32 minutes of aggressive new material. Continue reading “Defocus – There Is a Place for Me on Earth (Review)”
This is the the debut album by US extreme metal band Till the Dirt.
Brought to us by the singer of Atheist, Outside the Spiral contains 46-minutes of atypical extreme metal. It has a death metal base, but this is spliced with a few different influences to create something a little outside of the norm. Continue reading “Till the Dirt – Outside the Spiral (Review)”
This is the second album from Greek symphonic modern metallers Project Renegade.
Ultra Terra is a 57-minute expression of contemporary metallic heaviness that takes in a range of old and new influences to produce an album of catchy, accessible songs. In other words, they play stadium-friendly heavy music with big choruses and symphonic enrichments. Continue reading “Project Renegade – Ultra Terra (Review)”
This is the debut album from US metal band Caustic Echoes.
The Passing of Moonlight contains 50 minutes of well-written melodic metal. The style is one that combines elements of old and new, from 90s nu-metal and heavy metal, and 00s European metal and metalcore, to more contemporary influences. Continue reading “Caustic Echoes – The Passing of Moonlight (Review)”
This is the debut album from US metal band Memorrhage.
Now here’s an album I couldn’t miss out on. Brought to us by a member of Cara Neir, Memorrhage is a tribute to the 90s metal scene, specifically nu-metal and the related styles around this, including hardcore, metalcore, and industrial. Yep, I had to hear this. Continue reading “Memorrhage – Memorrhage (Review)”
This is the debut album from Swedish metal band Curse of Cain.
Now here’s an interesting and unexpected release. Curse of Cain‘s 42 minutes weaves a compelling post-apocalyptic story that cooks together a bunch of different ingredients that probably shouldn’t work, but actually does. The end result is tasty and satisfying. Continue reading “Curse of Cain – Curse of Cain (Review)”
