This is the seventh album from Glorior Belli, a French black metal band, (essentially a one man band with hired help).
It’s always great to hear something new from this charismatic and individual band, and here we have 47 minutes of new material.
If you’re not familiar with Glorior Belli’s work, (check out Gators Rumble, Chaos Unfurls and Sundown (the Flock That Welcomes)), this is a band that Continue reading “Glorior Belli – The Apostates (Review)”
Neolithic are a US death metal/crust band and this is their latest EP.
Mixing classic d-beat crust with the uglier side of death metal, this is 8 minutes of pitch-black fury and aggression. Continue reading “Neolithic – Cult of Ignorance (Review)”
Buried Above Ground are a US metalcore/deathcore band and this is their new album.
The Crown is a 30-minute slab of brutality, full of punishing grooves, heavy breakdowns, and savage vocals; NWOAHM-meets-deathcore, with added electronic/keyboard enhancements. Continue reading “Buried Above Ground – The Crown (Review)”
Strangle Wire are an Irish death metal band and this is their latest EP.
This is the follow up to the band’s debut release Narcissism, which was an enjoyable brief introduction to Strangle Wire’s brand of nastiness. They are now back, and I’ve pleased to say they have built on their initial promise. Both of the songs on the band’s first release have resurfaced on The Dark Triad, but now they’ve brought friends to the party too. Continue reading “Strangle Wire – The Dark Triad (Review)”
This is the second album from King Goat, a progressive doom metal band from the UK.
I’ve been extremely excited for this one. This is a band that takes everything I love about traditional doom metal and combines it with a progressive metal element that sees the songs soar above almost all of their so-called peers with ease. Continue reading “King Goat – Debt of Aeons (Review)”
Boss Keloid are a UK progressive sludge/doom metal band and this is their fourth album.
2016’s immense Herb Your Enthusiasm was a landmark release for the band. It was, quite simply, such a good Continue reading “Boss Keloid – Melted on the Inch (Review)”
This is the fourth album from Swedish/Finnish grinders Afgrund.
This is 24 minutes of vicious grindcore with both a d-beat crust and a death metal influence. Continue reading “Afgrund – The Dystopian (Review)”
Aorlhac have recently released their third album, (and closing part of a trilogy), L’esprit des Vents. This is an epic and melodic album that takes the fire of the black metal second wave and fuses it into passionate, atmospheric music that still retains plenty of aggressive bite. It’s a very strong release, and one that I readily recommend you check out.
I was privileged enough to be able to ask the band’s vocalist Spellbound some questions about the album and the band, so have a read of the below and give the album a listen… Continue reading “Interview with Aorlhac”
It’s time to take stock of what the extreme metal world has given us this month. As usual, there’s been some storming releases. Continue reading “Monthly Overview – the Best of March 2018”
This is a split between two Austrian black metal bands – The Negative Bias and Golden Dawn.
The release starts with The Temple of Cruel Empathy by The Negative Bias. This is a 12-minute foray into the atmospheric black metal cosmos. Continue reading “The Negative Bias/Golden Dawn – Split (Review)”
