This is the debut album from Pyrithe, an experimental sludge/post-metal band from the US.
Featuring a member of Noltem, along with guests from Noltem and Pyrrhon, (among others), Monuments to Impermanence is a 48-minute journey into experimental heaviness. Continue reading “Pyrithe – Monuments to Impermanence (Review)”
This is the fourth album from Italian hardcore band If I Die Today.
If I Die Today play hardcore with lashings of sludge and post-metal, resulting in a post-hardcore whirlwind of violence and catharsis. Across eight tracks the band demonstrate their ability in no uncertain terms. The Abyss in Silence is a 23-minute underground gem. Continue reading “If I Die Today – The Abyss in Silence (Review)”
This is the latest EP from UK metal act Heriot.
Heriot play an interesting and diverse style of music that combines metallic sludge heaviness with hardcore fury and industrial harshness. Heriot don’t really sound like any one band, and it’s great to hear music like this that isn’t concerned with genre boundaries. Continue reading “Heriot – Profound Morality (Review)”
Caliban are a German metalcore band and this is their twelfth album.
Caliban play metalcore that combines the hardcore and modern metal ingredients in ways that taste quite idiosyncratic. There’s a darkness at the heart of Dystopia, and that manifests in a collection of songs that hit the spot very nicely. Continue reading “Caliban – Dystopia (Review)”
Spill Your Guts are a blackened hardcore band from China and this is their second album.
The promo blurb states the following bands as influences on Spill Your Guts – Turbonegro, Kvelertak, Trap Them,
Every Time I Die, The Bronx,
All Pigs Must Die, Refused, and Shai Hulud – and these serve as a decent starting point for approaching the 31 minutes of material that makes up The Wrath It Takes. Continue reading “Spill Your Guts – The Wrath It Takes (Review)”
This is the third album from Greyhaven, a hardcore band from the US.
Greyhaven play a form of modern post-hardcore that takes influence from a range of places. On the one hand they clearly follow the Every Time I Die template of hardcore, with raucous heaviness mixed with emotive cleanly-sung sections. On the other hand though, they also follow a sort of progressive post-hardcore Continue reading “Greyhaven – This Bright and Beautiful World (Review)”
Terzij de Horde are a black metal band from the Netherlands and this is their second album.
2015’s Self was so long ago that I wasn’t sure we’d ever hear anything from Terzij de Horde again. They’re back though, with 30 minutes of new material – spread over three tracks – that are as fiery and as destructive as the album’s striking cover. Continue reading “Terzij de Horde – In One of These, I Am Your Enemy (Review)”
Hellblind are a UK metal band and this is their debut EP.
This new band is made up of current/ex-members of Pitchshifter, Stampin’ Ground, Romeo Must Die, Outside the Coma, and This Is Menace. The band play heavy music and do so with enthusiasm. Combining Continue reading “Hellblind – A Plague on All Your Houses (Review)”
This is the second album from Vein.fm, a metal band from the US.
Vein.fm are clearly a band with a lot of influences, and across the 32 minutes of material on This World Is Going to Ruin You, they wield these influences like weapons. Flourishing elements of hardcore, mathcore, metalcore, industrial, and nu-metal into a Continue reading “Vein.fm – This World Is Going to Ruin You (Review)”
Similar to January, February was a surprisingly strong month for metal albums. There were many highlights, and limiting my recommendations to just the below five as not easy. Have a look at the albums below… Continue reading “Monthly Overview – the Best of February 2022”
Wonderbox Metal 