Ohhms are a UK doom band and this is their second album.
Hot on the heels of 2017’s The Fool, we unexpectedly, (to me anyway), have a brand new album from Ohhms. The Fool was an album that I initially enjoyed a great deal, but soon proved itself to be a real grower, and over time truly revealed itself to be a rich, multifaceted, and hugely enjoyable release. Continue reading “Ohhms – Exist (Review)”
Unhold are a sludge/post-metal band from Switzerland and this is their fifth album.
2015’s Towering lived up to its name, and was a monolithic and notable record. I said that Towering offered Continue reading “Unhold – Here Is the Blood (Review)”
So what do we have for you this month? What new batch of metal delights has been unleashed upon the world in October? Let’s find out… Continue reading “Monthly Overview – the Best of October 2018”
This is the second album from UK doom/drone band Bismuth.
Ever since first hearing The Eternal Marshes I’ve been a fan of what Bismuth do. Over the years they’ve continued to develop their bass-drum-synth-low-end-heavy-doom-assault-on-the-senses approach to music. Every release essentially sees them rising to new heights of both extremity and nuance, and this has now culminated in this new colossal album. Continue reading “Bismuth – The Slow Dying of the Great Barrier Reef (Review)”
Leonov are a Norwegian doom/post-metal band, and this is their second album.
Mixing together the heart of doom with the pulse post-metal, Wake is a collection of tracks that have a deep melodic core and depth of feeling to them. In fact, powered by negative emotion, this is an album filled to the brim with feelings of loss, woe, despair, and plaintive nostalgia. It’s never maudlin though, and frequently beautiful. Continue reading “Leonov – Wake (Review)”
This is the third album from US one man atmospheric black metal band Eneferens.
Eneferens is a project that I swear I’ve not only listened to in the past, but reviewed also. It turns out that this isn’t true, so I have no idea what I must be thinking of. Continue reading “Eneferens – The Bleakness of Our Constant (Review)”
Megaton Leviathan are a US psychedelic rock/doom band, and this is their third album.
Now here’s a band that have flowered quite impressively since their already very accomplished 2014 album Past 21: Beyond the Arctic Cell. Boasting new members, new instrumentation, and an enriched direction, Mage is indebted to the band’s past, while being unconstrained by it. Continue reading “Megaton Leviathan – Mage (Review)”
This is the fifth album from Vanhelgd, a death metal band from Sweden.
Both 2014’s Relics of Sulphur Salvation and 2016’s Temple of Phobos are prime examples of quality and creative death metal done right. The latter made it onto my 2016 end of year list, such was the impression it made. As such, I’ve been eagerly awaiting more material from this sterling band. Continue reading “Vanhelgd – Deimos Sanktuarium (Review)”
This is the fifth album from US post-metal band A Storm of Light.
Here we have 51 minutes of music that mixes metal, post-metal, punk, doom, quasi-industrial, and progressive metal. That’s right, it’s quite a mix, but the band pull it off remarkably well. Continue reading “A Storm of Light – Anthroscene (Review)”
Windhand are a doom metal band from the US and this is their fourth album.
Despite Windhand being one of the higher profile examples of this type of music, their split with Satan’s Satyrs was my first exposure to them. As such, it’s great to hear what they’re capable of with a full album’s worth of material to play with. Continue reading “Windhand – Eternal Return (Review)”
Wonderbox Metal 