December is always a tricky month, as generally the releases slow down in the run up to the new year. That doesn’t mean there were no notable releases during this time, however. Check out the outstanding metal albums below and let me know which your favourite is… Continue reading
Having enjoyed their previous work, (Toll of the Wound, for example), it’s about time we had a full-length release from this colossal Doom band.
Yes, colossal is the right word, as Of Spire & Throne specialise in dirty great huge Doom with an oppressively dark atmosphere and a morbid pace.
The 4 tracks on this release crawl by as the 54 minutes is taken up by malevolent Doom that has a filthy Sludge underbelly. There’s also a bit of Ambient/Drone/Noise thrown in here and there for good measure.
Sanctum of the Light contains music that does a lot with a little. There’s nothing fancy or flashy here, quite the opposite in fact; this is a band that achieves what they need to with a minimalist approach that still sees them sound louder and fuller than a band with twice the members, (they’re a three-piece).
This simplistic approach works well as the songs have a raw honesty to them that allows an emotional intensity to be fostered in the bowels of these despairing paeans to negativity. Simply put – the band know how to write good Doom.
This is a release that draws you in with the promise of crushing Doom and keeps you close in its suffocating embrace by providing music that has more than enough depth to drown in.
As I’ve said before – like Doom? Like Of Spire & Throne.
Looking for some dirty, colossally heavy Doom? Then you’ve come to the right place. Of Spire & Throne have it in spades.
This three track EP clocks in at just over 30 minutes in length and is the latest release in a growing catalogue of quality works from this band. I can only hope they get around to releasing a full album at some point in the near future as I’m sure it will be something special.
The songs here are crushing in scope and monolithic in their oppressive nature. The singer’s vocals only seem to be getting deeper over time and the guitars have never sounded better.
This is slow, uncompromising Doom that won’t be rushed for anyone and can’t be made to clean up its act. Not that we would want it to of course, as Toll of the Wound is covered in just the right amount of filth.
It’s not all about playing slow however, as the band understand and fully utilise dynamics. The build-and-release nature of Post-Metal is here translated into its Doom counterpart with the same effective results.
Like Doom? Like Of Spire & Throne.