Dopethrone have built up a very respectable discography over the years, and Transcanadian Anger is the latest in the long line of filth-covered fuzzed-up hateful distortion that the band peddle. Continue reading
Here we have just over 12 minutes of ugly heaviness, just the we like it for this kind of sludge-driven hideousness. Continue reading
This is a powerful mix of stoner, sludge and doom. Lasting over 66 minutes, the band crawl and slither their way through the playing time with gritty heaviness and slothful aggression. Continue reading
Wearing their influences on their sleeves, Demonsmoke exist in the same world as bands like Eyehategood, Iron Monkey, Dopethrone, and the like. Yep, this is sludgy, nasty, full of infectious heavy blues riffs, and smothered in harsh, hateful vocals. Continue reading
Well, this is very good. Let’s make that clear from the start.
Providing a Continue reading
Ahh, heavy, sludgy doom. Always a pleasure to make your acquaintance.
Deep deathgrowls are backed up by serrated screams; both are very ably performed and both get the job done nicely. The singer’s voice Continue reading
We know No Trust from their début album Unfound, so it’s good to catch up with their latest offering.
I stand by my previous statements about this band – they’re still huge worshippers of The Riff and still come across as a blending of Dopethrone and Chimaira.
The singer’s raspy roar is back once more and continues to provide very satisfying vocals for the unfolding Metallic carnage. His voice works even closer with the music on this EP to produce songs that gel together nicely.
The guitars seem to buzz and rage through the playing time with that interesting combination of Sludge and Modern Metal that they play so well. The production emphasizes the Metal side of the equation, but the Sludge quality is brought out in the music from some choice riffing and the singer’s acidic snarl.
The songs are more developed this time around and the time between releases seems to have been well spent; overall, No Trust sound more confident and professional than ever.
Well, I’m very happy with this. A 31 minute blast of quality Metal is never to be turned down.
Give them a listen and prepare to unleash the fury.
Crawl have come to stink up the place with their dirty brand of Sludge.
This is Southern-tinged Sludge Metal with a healthy swagger and a groove that won’t quit. Heaviness is a given, of course; you can’t play Sludge any other way. Crawl build on this core of heaviness with enough attitude and confidence to knock over the hardiest drunk.
Crawl have a meaty sound that’s bound to satisfy all of your dark cravings. It brings out the best, (worst), in the band and they sound both professional and murky at the same time.
The vocals are as unhinged and venomous as you would expect. Sounding highly acidic, they rip themselves out of the swampy music to violently scar anyone unlucky enough to be caught in their way.
These songs are infectious and instantly appealing if you have a love of all things filthy and downtrodden. The inclusion of some longer tracks gives the band an interesting edge over some similar bands and only adds to their appeal.
Unusually for a band of this ilk, there is a bit of light included here and there. Some songs have a few passages that can almost be described as hopeful. It’s a slight Post-Metal edge to their Sludge that adds another layer to their already impressive sound; the extended intro to Pilldust is a perfect example of this.
One to get your grubby mitts on for sure.
Although the band are a duo they sound a lot fuller and more complete than many five-pieces. They have a huge, strong sound that makes the guitars feel like they’re right next to you, and the singer’s throaty roar is intense and immediate. I really like the vocals actually; very well done and extreme-but-emphatic at the same time.
There is no bass on this album, just guitar, drums and vocals. You almost wouldn’t know though, as the guitars have the kind of tone that seems to imply bass where there actually is none. While they may be limited with their range of instrumentation they make the most of it and are avid worshippers of The Riff; there is an abundance of Sludge-esque riffs in these songs, all wrapped up in a clean sound and plenty of Metal.
When the band lock into a powerful groove they are nigh unstoppable, such as the main riff to Bottom Feeder. Sounding almost like a cross between Dopethrone and Chimaira, this album takes elements of Sludge and gives it a hard Metallic sheen.
48 minutes of music to destroy speakers with. Check them out.