Doom – Page 39 – Wonderbox Metal

Conjurer – Páthos (Review)

This is the second album from UK sludge/post-metallers Conjurer.

This much-anticipated lab of heaviness is the 53-minute follow up to 2018’s punishing Mire.

A contemporary blend of sludge and post-metal, with elements of doom, hardcore, and progressive metal, Páthos takes the sound that Mire did so well and pushes it further, expanding on its core heaviness with a greater range of textures and emotions. It’s like a vicious nest of crushing riffs has been smashed together with a multifaceted collection of rich soundscapes, and I couldn’t be happier with the outcome. Continue reading “Conjurer – Páthos (Review)”

Spiralist – Eternal Recurrence (Review)

This is the second album from Spiralist, a solo post-metal act from Portugal.

Eternal Recurrence is an interesting album that’s hard to easily pin down when it comes to genre. Post-metal is probably the most obvious tag, but then there’s also a blackened aspect to parts of it. It has a pretty blatant progressive side too, sometimes, very 70s sci-fi in feel. There are also elements of doom and industrial that can be heard in places. I’m going to stick to the post-metal appellation and be done with it, but just know that the artist behind Spiralist cares not for producing easily categorised music. Continue reading “Spiralist – Eternal Recurrence (Review)”

Chaotian – Effigies of Obsolescence (Review)

Chaotian are a death metal band from Denmark and this is their debut album.

Effigies of Obsolescence contains 40 minutes of barbarous death metal carnage.

This is a foul, rotten, death metal monster. The band deliver a Continue reading “Chaotian – Effigies of Obsolescence (Review)”

Hush – The Pornography of Ruin (Review)

This is the third album from US doom/sludge metal band Hush.

Hush play the sort of hybrid sludge metal that I like – bleak, crushing, nasty, and very, very heavy, but also emotive and atmospheric. Across these 56 minutes the band dish out the punishment mercilessly, but they also do a lot more than just batter and bruise, which is great to hear, as otherwise a running time like that could easily become a burden. Continue reading “Hush – The Pornography of Ruin (Review)”

Hundred Year Old Man – Sleep in Light (Review)

Hundred Year Old Man are a post-metal/sludge band from the UK and this is their second album.

I really liked 2018’s Breaching, so am pleased to see the return of Hundred Year Old Man. The band have obviously been feeling creative since I last caught up with them, as Sleep in Light contains a whopping 80 minutes of new material. Continue reading “Hundred Year Old Man – Sleep in Light (Review)”

Sergeant Thunderhoof – This Sceptred Veil (Review)

Sergeant Thunderhoof are a stoner rock band from the UK and this is their fourth album.

This Sceptred Veil boasts a colossal 68 minutes of music for the discerning listener’s entertainment. Combining elements of doom, stoner, progressive, and psychedelic rock into a thoroughly satisfying and rewarding collection of tracks, Sergeant Thunderhoof have produced a sterling album.

Continue reading “Sergeant Thunderhoof – This Sceptred Veil (Review)”

Deathwhite – Grey Everlasting (Review)

Deathwhite are a melodic metal band from the US and this is their third album.

I’ve thoroughly enjoyed witnessing Deathwhite’s continued development, (check out Ethereal, Solitary Martyr, For a Black Tomorrow, and Grave Image), so the appearance of Grey Everlasting is very welcome. On their latest release Deathwhite spend 48 minutes doing what they do best, only better than they ever have done it before. Continue reading “Deathwhite – Grey Everlasting (Review)”

Ataraxy – The Last Mirror (Review)

This is the third album from Spanish death metallers Ataraxy.

This is the follow up to 2018’s Where All Hope Ends, and contains 44 minutes of new material.

Ataraxy play death metal that’s dark and malevolent. The well-written songs have a doom Continue reading “Ataraxy – The Last Mirror (Review)”

Monthly Overview – the Best of May 2022

May saw an unreasonable amount of good metal albums released into the wild. The below are just the tip of the iceberg, but more than worth celebrating in their own right. Continue reading “Monthly Overview – the Best of May 2022”

Druids – Shadow Work (Review)

This is the fourth album from progressive/stoner metal band Druids.

After very much enjoying 2016’s Cycles of Mobeum, 2017’s Spirit Compass, and 2019’s Monument, I knew I wanted to check out Shadow Work as soon as it saw the light of day. Continue reading “Druids – Shadow Work (Review)”