This is the debut album from German doom metal band Mriodom.
Vlies contains 44 minutes of music that takes elements of doom metal, stoner metal, and psychedelic rock into itself, producing five songs that earn their own keep. Mriodom’s music hits the spot nicely. Continue reading “Mriodom – Vlies (Review)”
This is the fourth album from UK black/doom/heavy metal band Wode.
This is the follow up to 2021’s Burn in Many Mirrors, and a record I’m pleased to see appear. Uncrossing the Keys is not more of the same from Wode though. This should be expected, as each Wode album so far has found the band adding to their musical framework. Continue reading “Wode – Uncrossing the Keys (Review)”
This is the seventeenth album from UK metal band Paradise Lost.
I’ve been listening to Paradise Lost since 1992, so any new Paradise Lost release is A Big Deal. Ascension is the 51-minute, (61 minutes with the bonus tracks), follow up to 2020’s Obsidian, and promises Big Things by virtue of simply being a new Paradise Lost album. Continue reading “Paradise Lost – Ascension (Review)”
Zatokrev are a doom/sludge/post-metal band from Switzerland and this is their fifth album.
I was very, very excited to see this one appear. Rather shockingly, it’s been a whole decade since 2015’s Silk Spiders Underwater…, so it’s great to finally have the 65-minute …Bring Mirrors to the Surface. Zatokrev are one of the greatest doom/sludge/post-metal bands in existence, yet are criminally unknown. They’ve now signed to the fantastic Pelagic Records, wo hopefully this will allow them to get the exposure they deserve. Continue reading “Zatokrev – …Bring Mirrors to the Surface (Review)”
This is the second album by Irish blackened death metallers Malthusian.
2018’s Across Deaths was a nightmarish, venomous first record from Malthusian, ably showcasing their hideous blackened death metal style. In 2022 we were gifted with Time’s Withering Shadow, their split with Suffering Hour, which was another impressive outing, for both bands concerned. Which brings us to the 54-minute The Summoning Bell. Have Malthusian continued their ascent from the bowels of the underworld? Continue reading “Malthusian – The Summoning Bell (Review)”
In the Company of Serpents are a doom metal band from the US and this is their fifth album.
I’ve enjoyed watching In the Company of Serpents ply their heaviness over the years. From 2014’s Merging in Light, to 2017’s Ain-Soph Aur, to 2020’s Lux, the band have always put releases out that hit the spot for me. Now, five years after their last album, we have the 44-minute A Crack in Everything to satiate our need for sludge/doom soundscapes. Continue reading “In the Company of Serpents – A Crack in Everything (Review)”
This is the third album from UK doom/heavy metal band King Witch.
King Witch play classic doom and heavy metal spliced with equally vintage grunge and heavy rock. It’s a very effective mix, showcasing the band’s songwriting skill as they deliver 44 minutes of the good stuff. III is a high quality record through and through. Continue reading “King Witch – III (Review)”
Goya are a doom metal band from the US and this is their fourth album.
It’s been a long time since 2017’s Harvester of Bongloads, so it’s great to finally have a new album from Goya. The band’s previous album was stronger than most in the realms of doom metal, so expectations are high for the 40-minute In the Dawn of November. Continue reading “Goya – In the Dawn of November (Review)”
This is the debut album from international doom metal band Lights of Vimana.
That Déhà chap certainly gets around. Apart from his own prolific output, he recently supplied vocals to the new album from the mighty Aphonic Threnody. I mention this here because he’s back once more, providing vocals to another doom band – Lights of Vimana. This time he is working in concert with two others, (current/ex-members of Dalla Nebbia, Mesmur, Void of Silence, and Pantheïst), to bring us 48 minutes of atmospheric/progressive doom, in the shape of Neopolis. Continue reading “Lights of Vimana – Neopolis (Review)”
This is the debut album by Sacred Noose, a black/death metal band from Northern Ireland.
Vanishing Spires offers up a 31-minute concoction of poisonous black, death, and doom metal, all poured into a think tar-like substance of misery, pestilence, and woe. Sacred Noose are like a shroud of horror and violence hiding a deeper malevolence that just wants everything to decay and wither away.
Wonderbox Metal 