March was yet another good month for metal releases. I’m aware that I pretty much say that every month, but it’s true. Dig into these albums and let me know what your favourite was last month
Continue reading “Monthly Overview – the Best of March 2022”
Tag: Death Metal
Grand Harvest – Consummatum Est (Review)
This is the debut album from Swedish death/doom metallers Grand Harvest.
Here we have 51 minutes of death/doom metal, with some blackened influences thrown in for good measure. Prepare yourself in advance, as this is some Grade A stuff right here… Continue reading “Grand Harvest – Consummatum Est (Review)”
Golgothan Remains – Adorned in Ruin (Review)
This is the second album from Australian death metallers Golgothan Remains.
I really enjoyed the ugly malevolence of Golgothan Remains’ 2018 debut Perverse Offerings to the Void. It’s now four years later, and Adorned in Ruin has finally come crashing into our lives. Has it been worth the wait? Continue reading “Golgothan Remains – Adorned in Ruin (Review)”
Astral Tomb – Soulgazer (Review)
This is the debut album from Astral Tomb, a death metal band from the US.
I’ve enjoyed watching Astral Tomb develop their ghastly death metal sound, from 2020’s split with Cryptic Shift, Replicant, and Inoculation, to 2021’s EP Degradation of Human Consciousness, (which I honestly thought I had reviewed, but apparently not). Soulgazer is the band’s first album, and I have been looking forward to it. Continue reading “Astral Tomb – Soulgazer (Review)”
In Aphelion – Moribund (Review)
This is the debut album from In Aphelion, an international black metal band.
Featuring members of Cryptosis and Necrophobic, Moribund contains 58 minutes of blazing, blistering high quality black metal. Continue reading “In Aphelion – Moribund (Review)”
Aeviterne – The Ailing Facade (Review)
Aeviterne are a death metal band from the US and this is their debut album.
Aeviterne contain current and ex-members of bands such as Artificial Brain, Tombs, and Pillory, and play a brutal form of death metal with experimental tendencies. Continue reading “Aeviterne – The Ailing Facade (Review)”
Cryptivore – Celestial Extinction (Review)
This is the debut album from Cryptivore, a one-man Australian death metal band.
Across 27 minutes the artist behind Cryptivore hammers into us his vision for old-school death metal. Taking influence from early Amorphis, Carcass, and Grave, Celestial Extinction is a mix of brutal Swedish death metal, moody melodic death metal, and feral grindcore. Continue reading “Cryptivore – Celestial Extinction (Review)”
Arkaik – Labyrinth of Hungry Ghosts (Review)
This is the sixth album from US death metallers Arkaik.
Back now with a new lineup, (featuring current and ex-members of Singularity, Alterbeast, Dessiderium, and Nullingroots), Labyrinth of Hungry Ghosts boasts 48 minutes of new material. Both 2015’s Lucid Dawn and 2017’s Nemethia were very likeable records, so Arkaik’s new one carries a certain level of expectation. Spoiler alert – it’s been exceeded. Continue reading “Arkaik – Labyrinth of Hungry Ghosts (Review)”
Monthly Overview – the Best of February 2022
Similar to January, February was a surprisingly strong month for metal albums. There were many highlights, and limiting my recommendations to just the below five as not easy. Have a look at the albums below… Continue reading “Monthly Overview – the Best of February 2022”
Hath – All That Was Promised (Review)
Hath are a progressive blackened death metal band from the US, and this is their second album.
This is the follow up to 2019’s very well-received Of Rot and Ruin. On All That Was Promised Hath, (who feature current and ex-members of Cognitive and Dystrophy), return with 52 minutes of new material. Continue reading “Hath – All That Was Promised (Review)”
Wonderbox Metal 