This is the latest EP from UK blackened post-metal band Ba’al.
I was introduced to Ba’al on 2017’s In Gallows by Mass, but it wasn’t until 2020’s colossal debut Ellipsism that they truly came into their own. Four years on from that record, Ba’al return with the three-track EP Soft Eyes, which brings us 27 minutes of new material. Continue reading “Ba’al – Soft Eyes (Review)”
This is the second album from Acathexis, an international black metal band.
Acathexis is given dark life by Jacob Buczarski(, the artist behind the amazing Mare Cognitum), the insanely prolific Déhà, (COAG, Cult of Erinyes, Silver Knife, Slow, We All Die (Laughing), and many others), and a singer from some bands I don’t know, (Dany Tee, from Los Males del Mundo and Seelenmord). Immerse may only have four songs, but with a total duration of 50 minutes, there’s a lot here to delve deeply into. The album is Well-named, and the songs are sprawling and immersive. Continue reading “Acathexis – Immerse (Review)”
Urbain are a black metal band from the US and this is their debut album.
With a description of urban black metal, and a recommendation for fans of Emperor, White Ward, early Dimmu Borgir, and Cradle of Filth, I was intrigued to hear what Urbain had to offer. The fact that the band contain members of Ovnev and Wills Dissolve was further reason, if any were needed. Continue reading “Urbain – A Soul Purged (Review)”
This is the fourth album from Indian one-man extreme metal band Demonstealer.
I enjoyed both 2016’s This Burden Is Mine and 2021’s The Holocene Termination, so it’s now time to catch up with the talented artist behind Demonstealer. This time he’s come with a large supporting cast, as he’s assembled an enviable amount of musicians to help him to achieve his metallic goals, (from Continue reading “Demonstealer – The Propaganda Machine (Review)”
Bonecarver are a Spanish deathcore band and this is their second album.
After the thoroughly brutal Evil from only last year, Bonecarver are back already with Carnage Funeral, but they’re not the same band that we met only recently. This 40-minute record showcases the band as they develop their sound further; Carnage Funeral is Bonecarver’s next evolutionary step. Continue reading “Bonecarver – Carnage Funeral (Review)”
This is the latest EP from Worm, a blackened death/doom band from the US.
Worm return! After the monstrous slab of blackened doom malevolence that was 2021’s Foreverglade, Worm are back with 27 minutes of foul new material. Continue reading “Worm – Bluenothing (Review)”
This is the fifth album from French black metal band Acod.
Fourth Reign over Opacities and Beyond is a 52-minute journey into Acod’s lovingly-crafted world. Continue reading “Acod – Fourth Reign over Opacities and Beyond (Review)”
Hanging the Nihilist are a blackened deathcore band from Denmark and this is their debut album.
Prophetic Blasphemy contains 42 minutes of brutal modern blackened deathcore. Riven with huge breakdowns and enhanced with blackened malevolence, Prophetic Blasphemy is on the darker, heavier side of the deathcore spectrum, and I like what I hear. Continue reading “Hanging the Nihilist – Prophetic Blasphemy (Review)”
This is the second album from Zornheym, a symphonic extreme metal band from Sweden.
Featuring an ex-member of Dark Funeral, Zornheym present us with a symphonic monster of black/death/heavy/extreme metal. Yes, a lot of genres are thrown into this one, to great effect. The Zornheim Sleep Experiment contains 37 minutes of the stuff, and it’s a damn good listen. Continue reading “Zornheym – The Zornheim Sleep Experiment (Review)”
Necronautical are a UK black metal band and this is their fourth album.
Featuring members of Winterfylleth and Foetal Juice, Necronautical play black metal influenced by the second wave, in particular the keyboard-enhanced symphonic side of it. To this is added a muscular death metal influence, which is streamlined by the blackened core of the band and used to add a lethal edge to the music. There’s also a progressive metal influence that can felt on occasion, usually in a particular riff, solo, or melody, for example. Continue reading “Necronautical – Slain in the Spirit (Review)”
Wonderbox Metal 