Cattle Decapitation – Wonderbox Metal

Sanguisugabogg – Hideous Aftermath (Review)

Sanguisugabogg are a death metal band from the US and this is their third album.

Following on from 2023’s Homicidal Ecstasy comes the 48-minute Hideous Aftermath. Sanguisugabogg have created a limbering death metal monster. Laying bloody waste to all around it, it’s ridiculously enjoyable and well-crafted. Yep, this beats Homicidal Ecstasy to death and revels in its destruction. As much as I liked that record, this is superior in every way that counts. Continue reading “Sanguisugabogg – Hideous Aftermath (Review)”

Revocation – New Gods, New Masters (Review)

This is the ninth album from US death metal band Revocation.

Revocation are a band I always enjoy. From 2016’s Great Is Our Sin onwards, (which includes 2018’s The Outer Ones and 2022’s Netherheaven), I’ve devoured each new release hungrily. On their new outing New Gods, New Masters, Revocation return triumphant, with 46 minutes of new material. Continue reading “Revocation – New Gods, New Masters (Review)”

Celestial Scourge – Observers of the Inevitable (Review)

Celestial Scourge are a Norwegian death metal band and this is their debut album.

Featuring members of Blood Red Throne and Deception, Celestial Scourge are here to destroy. Observers of the Inevitable contains 30 minutes of brutal technical death metal, and it’s a raging mass of controlled savagery. Continue reading “Celestial Scourge – Observers of the Inevitable (Review)”

Cognitive – Abhorrence (Review)

This is the fifth album from US death metallers Cognitive.

I always enjoy a new slab of Cognitive, (check out 2016’s Deformity, 2018’s Matricide, and 2021’s Malevolent Thoughts of a Hastened Extinction), so Abhorrence is well-received. Across 36 minutes Cognitive deliver the goods. Continue reading “Cognitive – Abhorrence (Review)”

Hideous Divinity – Unextinct (Review)

This is the fifth album from Italian death metallers Hideous Divinity.

I do enjoy Hideous Divinity‘s brand of technical brutality. 2014’s Cobra Verde, 2017’s Adveniens, and 2021’s LV-426 were all solid slabs of death metal muscle and intricate aggression, so it’s with expectation that we turn to Unextinct and its 51 minutes of new material. Continue reading “Hideous Divinity – Unextinct (Review)”

Vitriol – Suffer & Become (Review)

This is the second album from US death metallers Vitriol.

After enjoying Vitriol’s vicious assault live a few years ago I was left with the favourable impression of Hate Eternal/Nile-esque death metal fury, so I’m glad to be finally hearing one of their albums; it’s time to find out if these musical comparisons are appropriate or not. Continue reading “Vitriol – Suffer & Become (Review)”

Cattle Decapitation – Terrasite (Review)

This is the tenth album from veteran US death metal band Cattle Decapitation.

Following on from 2015’s The Anthropocene Extinction and 2019’s Death Atlas, the mighty Cattle Decapitation return with 53 minutes of new material on Terrasite. Continue reading “Cattle Decapitation – Terrasite (Review)”

Man Must Die – The Pain Behind It All (Review)

This is the fifth album from Scottish death metal band Man Must Die.

Man Must Die play technical death metal and The Pain Behind It All is a 41-minute assault of vicious riffs, sharp technical blows, and blunt force extremity. If you’re a fan of bands such as Decapitated, Dyscarnate, Cattle Decapitation, Beneath the Massacre, and Misery Index, then there’s much here to enjoy for you. Although, as we’ll see, there’s more than just death metal here. Continue reading “Man Must Die – The Pain Behind It All (Review)”

Sensory Amusia – Breed Death (Review)

Sensory Amusia are an Australian death metal band and this is their second album.

I was impressed by Sensory Amusia’s 2020 EP Bereavement, so I definitely wanted to check out whatever they did next. This turned out to be Breed Death, which scratches my modern death metal itch very nicely indeed. Continue reading “Sensory Amusia – Breed Death (Review)”

Golgothan – Leech (Review)

Golgothan are a death metal band from the US and this is their debut album.

Golgothan offer up 38 minutes of brutal death metal. Worshipping at the altar of modern song-based big-hitters such as Aborted and Cattle Decapitation, Leech is a great example of how to take inspiration from well-known names and produce something that’s well-worth getting stuck into. Continue reading “Golgothan – Leech (Review)”