Vyre are a German progressive black metal band and this is their fourth album.
I’ve enjoyed watching Vyre develop their sound, from the post-black metal of 2014’s The Initial Frontier Pt. 2, to the increasingly avant-garde stylings of 2018’s Weltformel. Which brings us to Voidserpent, a new album that offers us 42 minutes of new material from this expressive and interesting act. What have they done this time around? Continue reading “Vyre – Voidserpent (Review)”
Bergthron are a German black metal band and this is their seventh album.
After a 15-year absence, Bergthron have unexpectedly appeared out of nowhere with 32 minutes of new material in the form of Neu Asen Land. If you know any of Bergthron’s first few albums or so, this almost sounds like a completely different band, so don’t go expecting the sprawling atmospheric black metal epics of their early work. If you’re unfamiliar with them though, or aren’t bothered by a change in direction, then there’s much to enjoy here if you are of a certain taste. Continue reading “Bergthron – Neu Asen Land (Review)”
Still are a post-black metal band from the UK and this is their second album.
Still boast a fierce, ugly sound that’s equal parts black metal, sludge, and hardcore, resulting in a post-blackened 35-minute burst of punishment that’s damaging, yet moreish. The more Still scar and brutalise you, the more you want more. Continue reading “Still – A Theft (Review)”
Veilburner are a black/death metal band from the US and this is their seventh album.
A new Veilburner album is always an exciting prospect. I’ve been a fan since 2016’s The Obscene Rite, but it was 2022’s VLBRNR that really saw them reach their true potential in my eyes. Now we have The Duality of Decapitation and Wisdom‘s 49 minutes upon us, and I’m ready to fall into Veilburner’s well-realised world once more. And, this time, it’s stranger than ever. Continue reading “Veilburner – The Duality of Decapitation and Wisdom (Review)”
This is the fourth album from US solo black metal band Serpent Column.
Tassel of Ares is a 39-minute avant-garde black metal album brought to us by the artist behind Theophonos. The style is dissonant, esoteric, and obscure, yet remarkably accessible for that. Serpent Column’s music is an impressive beast. Continue reading “Serpent Column – Tassel of Ares (Review)”
Schammasch are a black metal band from Switzerland and this is their fifth album.
I have been really excited to hear this one. I’ve been a big fan of everything I’ve heard from Schammasch; make sure you check out 2016’s Triangle and 2019’s Hearts of No Light, both of which are top tier records, and both of which placed on my end of year lists for 2016 and 2019. Interestingly though, The Maldoror Chants: Old Ocean is the spiritual follow up to Schammasch’s 2017 avant-garde EP The Maldoror Chants: Hermaphrodite, making me even more interested to find out what this new opus had to offer. Continue reading “Schammasch – The Maldoror Chants: Old Ocean (Review)”
Untervoid are a black metal band from Poland and this is their debut album.
Brought to us by current/ex-members of bands such as Hate, Redemptor, and Thaw, Parasite contains 40 minutes of black metal of a sort that took me by surprise. Untervoid are not your typical black metal act it seems. Continue reading “Untervoid – Parasite (Review)”
This is the eleventh album from French one-man black metal band Esoctrilihum.
Over the years I’ve developed a real fondness for the creative blackened output of this prolific artist. 2018’s Pandaemorthium (Forbidden Formulas to Awaken the Blind Sovereigns of Nothingness) started my journey, 2021’s Dy’th Requiem for the Serpent Telepath really made a mark, 2022’s Consecration of the Spiritüs Flesh was harsh and unforgiving, and then last year’s monster triple album Astraal Constellations of the Majickal Zodiac was far more enthralling than anything as long as that had any right to be. Of course, then there’s also the rest of the Esoctrilihum’s discography too, which I haven’t reviewed. For now though, we have the colossal 80-minute Döth-Dernyàlh. Continue reading “Esoctrilihum – Döth-Dernyàlh (Review)”
This is the second album from Perchta, a black metal band from Austria.
D’Muata offers a 48-minute atmospheric blackened folk experience that’s compelling and immersive. Perchta have crafted a strong personality of their own on this record, and it’s one that serves them well for almost all of the album. Continue reading “Perchta – D’Muata (Review)”
Scarcity are a black metal band from the US and this is their second album.
The successor of 2022’s well-received Aveilut, The Promise of Rain contains 40 minutes of new material from Scarcity. Brought to us from a band that features members of Anicon, Glorious Depravity, Krallice, Pyrrhon, Seputus, Weeping Sores, and Woe, Scarcity have a wealth of experience in the realms of extreme metal that they bring to bear here to good effect. Continue reading “Scarcity – The Promise of Rain (Review)”
Wonderbox Metal 