Råttkung is a one man black metal band from Denmark, and this is this latest EP.
If you’re unfamiliar with Råttkung’s output, I would point you in the direction of Dark Is the Beginning, Unborn Undead, and Metamorphosis, all of which showcase the project’s musical proclivities and progression well. Continue reading “Råttkung – 15:25 (Review)”
Clawing are from the US and Offerbeest is a one man project from the Netherlands. Together they have birthed this monstrosity made of noise, ambient, experimental, and drone components.
A word of warning – this is not a pleasant listen. Continue at your peril. Continue reading “Clawing/Offerbeest – Split (Review)”
Morag Tong are a UK doom band, and this is their debut album.
Here we have 48 minutes of material from exploratory doomsters Morag Tong.
Last Knell of Om is an expansive and compelling listen, riven with huge slow guitars and imbued with a keen spacial awareness. It’s Continue reading “Morag Tong – Last Knell of Om (Review)”
CHRCH are a doom/sludge band from the US and this is their second album.
My first encounter with CHRCH was on their split with Fister. I think you can safely say that I fell in love with them at that point, so it’s very exciting that their latest full length release is now here with a new 47 minutes of material for me to get lost in. Continue reading “CHRCH – Light Will Consume Us All (Review)”
Hundred Year Old Man are a post-metal/sludge band from the UK and this is their debut album.
Breaching contains almost 60 minutes of affecting, emotive material. With a post-metal approach to intensity the band wield their various influences to produce atmospheric sludge metal that’s a monolithic and immersive listening experience. Continue reading “Hundred Year Old Man – Breaching (Review)”
Louise Lemón is a Swedish death gospel artist and this is her debut album.
Mixing folk, soul, Gothic, electronic, pop, and ambient into slow, meaningful songs, Purge contains 31 minutes of exquisite material. Pretty much every second of it is tinged with darkness and melancholy, which has all contributed towards the creation of a superlative collection of tracks. Continue reading “Louise Lemón – Purge (Review)”
This is the debut album from US drone/noise band Clawing.
This is a harrowing, uncomfortable trip into dark ambient, drone, noise, and doom waters. Apparently this is a concept album about night terrors, child abuse, and haunted houses. No, this is not a light and friendly listen. Continue reading “Clawing – Spectral Estate (Review)”
Arya are an Italian progressive/post-metal band and this is their third album.
I enjoyed last year’s Dreamwars. This was a curiously individual release, blending emotive modern progressive/alternative metal with a dreamy strain of post-metal. It’s an album that is striking upon first listen, but properly Continue reading “Arya – Endesires (Review)”
Abjured are a German grindcore band and this is their second album.
Here we have 41 minutes of Scandinavian-inspired acidic grindcore, played with venom and a creative flair. Continue reading “Abjured – Absolutist (Review)”
Messa are an Italian doom metal band and this is their second album.
This is the follow up to 2016’s very enjoyable Belfry. This was an album that took the classic doom metal template and injected elements of ambient/drone into it, along with the band members’ own distinct personalities. Continue reading “Messa – Feast for Water (Review)”
Wonderbox Metal 