This is the third album from Belgian sludge/doom metal band Oldd Wvrms.
The follow up to 2016’s Ignobilis, Oldd Wvrms have returned with a new 54 minutes of material. Continue reading “Oldd Wvrms – Codex Tenebris (Review)”
This is the third album from Belgian sludge/doom metal band Oldd Wvrms.
The follow up to 2016’s Ignobilis, Oldd Wvrms have returned with a new 54 minutes of material. Continue reading “Oldd Wvrms – Codex Tenebris (Review)”
Kaleikr are an Icelandic black/death metal band and this is their debut album.
This is black metal that’s progressive and emotive. Heart of Lead is an album that you can almost visibly see change as it develops and unfolds. As it runs through its playing time, Kaleikr’s music becomes increasingly darker and more unhinged. Continue reading “Kaleikr – Heart of Lead (Review)”
Herod are a progressive sludge band from Switzerland and this is their second album.
Here we have 43 minutes of post-metal that takes a progressive sludge approach to its material. Continue reading “Herod – Sombre Dessein (Review)”
Endon are a Japanese experimental post-hardcore band and this is their third album.
Holy crap, what the Hell is this? I looove it when you stumble blindly upon something as unexpectedly individual as this, especially when it’s done so well. Done poorly, this would be unlistenable nonsense, (and I’m sure there are some that would regard this as such), but Endon have a talent, it seems, for producing unusual, non-easy Continue reading “Endon – Boy Meets Girl (Review)”
Illimitable Dolor and Promethean Misery are both from Australia, and both play variants of doom metal.
This is my first experience of Illimitable Dolor, which is a shame, as they come highly recommended, (and also feature members of the very enjoyable funeral doom band The Slow Death), but I’ve never heard them before this. Here they offer us two tracks, clocking in at 26 minutes in total. Continue reading “Illimitable Dolor/Promethean Misery – Split (Review)”
So, who’s up for a night of unbridled technical brutality? Everyone in attendance at Rebellion tonight, that’s who. With a lineup like this, who can blame them?
Also, there’s a bartender here with an Acid Bath T-Shirt on. Top man. Continue reading “Diluvium Europa 2019 Tour – First Fragment/Allegaeon/Fallujah/Obscura – Manchester Rebellion, 07/02/19 (Live Review)”
Mallephyr are from the Czech Republic and play black/death metal. This is their second album.
Womb of Worms contains 38 minutes of occult, misanthropic black metal that’s bolstered in places by the inherent might and muscle of death metal. It also features a member of Panychida. Continue reading “Mallephyr – Womb of Worms (Review)”
This is the second album from Maestus, a blackened doom band from the US.
Looking for a doom record that has epic-length songs and music that’s crushing, while also boasting a surprisingly delicate touch in places? Look no further. Continue reading “Maestus – Deliquesce (Review)”
Ad Patres are a French death metal band and this is their second album.
Well, this one has been an extremely highly anticipated release here at Wonderbox Metal. The band’s 2012 debut Scorn Aesthetics is simply a wonderful death metal album. If you haven’t checked it out then I strongly urge you to, as it’s 32 minutes of brutal heaven. Strong words I know, but Continue reading “Ad Patres – A Brief Introduction to Human Experiments (Review)”
Windswept are a Ukrainian black metal; band and this is their second album.
Featuring members of Drudkh, this is Windswept’s follow up to 2017’s The Great Cold Steppe. Continue reading “Windswept – The Onlooker (Review)”