This is the third album from Timeworn, a Norwegian sludge metal band.
This is riff-friendly sludge metal, with both a hardcore influence and an atmospheric one. There’s a mix of the harsh and the beautiful here, which is weighted towards the energetic former, but the latter is still an important part of the band’s sound too. Continue reading “Timeworn – Leave the Soul for Now (Review)”
What an unreasonably strong month for metal releases November was! Be assured, this list could have been much, much bigger. Let’s see what made the cut… Continue reading “Monthly Overview – the Best of November 2019”
Impenitent are a blackened death metal band from the UK and this is their debut album.
Here we have some raw, underground stuff from the bottom of the underworld. It’s an hour of technical black/death metal, played with skill and passion, which sounds as if the recording of the album was recently found locked in some obscure vault somewhere after many, many years. Continue reading “Impenitent – Impenitent (Review)”
Bölzer are a Swiss black metal band and this is their latest EP.
Bölzer’s music is impressively creative and idiosyncratic, and their take on blackened metal is both enjoyable and infectious. An EP this may be, but there’s still 29 minutes of material here. Continue reading “Bölzer – Lese Majesty (Review)”
Mara is a Swedish one man black metal band and this is his third album.
Sometimes you just need a hit of the black stuff, and RÖK offers 36 minutes of the darkness you need. Spread across 5 tracks, this is cold black metal played as if it was still the 90s. Continue reading “Mara – RÖK (Review)”
Façade are a doom band from the Netherlands and this is their second album.
This is the follow up to 2017’s Loathe, featuring 54 minutes of new material. These songs are generally longer and even more rich in substance and delivery than those of the debut, which is no mean feat. It sounds as if a lot of work has gone into The Eternal Dance. Continue reading “Façade – The Eternal Dance (Review)”
Teeth are a death metal/grindcore band from the US, and this is their second album.
A new Teeth album! I’ve been following this band ever since their debut album Unremittance was unleashed in 2014. After that, we had their very tasty split with Fister, and then the downright delicious split with Barghest. Unlike the latter, with Continue reading “Teeth – The Curse of Entropy (Review)”
This is the third album from international doom band Mesmur.
Mesmur’s 2016 album S was a heavily atmospheric slab of funeral death/doom, one which was notable for its depth of mood and delivery. The band have now returned with four new imposing songs, clocking in at 55 minutes. Continue reading “Mesmur – Terrene (Review)”
Misery Loves Co. are a Swedish industrial metal band and this is their fourth album.
This is the band’s first album in a mere 19 years, so not much expectation riding on this at all…
As soon as the album starts, it’s immediately Continue reading “Misery Loves Co. – Zero (Review)”
Both hailing from the US, Y-Incision and Treasonist each play variants of grindcore.
Y-Incision open the split with 10 minutes of material – 6 songs, one of which is a Treasonist cover. Continue reading “Y-Incision/Treasonist – Mechanical Perdition – Split (Review)”
Wonderbox Metal 