Wonderbox Metal

Scáth Na Déithe – The Dirge of Endless Mourning (Review)

This is the second album from Scáth Na Déithe, an Irish black/death metal band.

The Dirge of Endless Mourning contains 44 minutes of atmospheric black metal mixed with malignant death metal. It’s spiritually comparable in scope and breadth to the Cascadian style, but filtered through Irish folklore and history and has a brutal edge that comes from the death metal influences. The result is an album that pulls strengths from Continue reading “Scáth Na Déithe – The Dirge of Endless Mourning (Review)”

Burning Witches – Dance with the Devil (Review)

Burning Witches are a heavy metal band from Switzerland and this is their third album.

2018’s Hexenhammer was an enjoyable slab of traditional heavy metal, and now the band are back with a new album, and a new singer. Continue reading “Burning Witches – Dance with the Devil (Review)”

Wombbath – Choirs of the Fallen (Review)

Wombbath are a Swedish death metal band and this is their fourth album.

SWEDISH DEATH METAL!!! Yeah! Wombbath return to give us another 50 minutes of the good stuff. I have a soft spot for this style that’s undeniable, but Wombbath have proven their worth in the past. Featuring members of bands such as Ashcloud, Henry Kane, Just Before Dawn, Gods Forsaken, Heads for the Dead, Ursinne, Repulsive Vision, and many others, you know that the style is in experienced hands before even pressing play. Continue reading “Wombbath – Choirs of the Fallen (Review)”

Earth Rot – Black Tides of Obscurity (Review)

Earth Rot are an Australian blackened death metal band and this is their third album.

Both 2016’s Chthonian Virtues and 2017’s Renascentia were hugely enjoyable, and worthy of a place in any extreme metal fan’s collection. Continue reading “Earth Rot – Black Tides of Obscurity (Review)”

Viscera – Obsidian (Review)

Viscera are a deathcore band from the UK and this is their debut album.

Featuring ex-members of Sylosis, Heart of a Coward, Martyr Defiled, Nervecell, Surfaces, and Abhorrent Decimation, Obsidian contains 36 minutes of modern brutality. Continue reading “Viscera – Obsidian (Review)”

Cardinals Folly – Defying the Righteous Way (Review)

Cardinals Folly are a Finnish doom metal band and this is their fifth album.

I have a definite soft spot for Cardinals Folly, and I’d recommend the likes of Our Cult Continues! and Deranged Pagan Sons to anyone who enjoys charismatic doom metal with larger-than-life vocals. Defying the Righteous Way is the band’s latest chapter, and it’s damn good one, worthy of inclusion in the Cardinals Folly saga. Continue reading “Cardinals Folly – Defying the Righteous Way (Review)”

Monthly Overview – the Best of February 2020

So what do we have for you this month then? February had a range of decent metal release to devour, so today I present to you a small selection of them to savour. Continue reading “Monthly Overview – the Best of February 2020”

Voidfire – Ogień Pustki (Review)

Voidfire are a black metal band from Poland and this is their debut album.

Voidfire play melodic black metal, doing so in an endearing and infectious way. This is music that has a heart of darkness, rather than a shiny, upbeat one. Some melodic metal is so smothered in ostentatious bright leads it can be off-putting, but Continue reading “Voidfire – Ogień Pustki (Review)”

Beneath the Massacre – Fearmonger (Review)

This is the fourth album from Canadian death metallers Beneath the Massacre.

Beneath the Massacre play technical death metal that’s relentlessly harsh and brutal. This is not music for the uninitiated or the fragile; Beneath the Massacre are uncompromisingly merciless across these 30 minutes. This is the band’s first album in eight years, and when Continue reading “Beneath the Massacre – Fearmonger (Review)”

Regarde les Hommes Tomber – Ascension (Review)

This is the third album from French post-black metallers Regarde les Hommes Tomber.

Regarde les Hommes Tomber play post-black metal that takes a forward-thinking approach to its content. Blending in elements of sludge and minor aspects of death metal, the band’s music is an atmospheric and modern take on blackened art. Continue reading “Regarde les Hommes Tomber – Ascension (Review)”