This is the debut album of Spanish grindcore band Deathcontrol.
Featuring an ex-member of Machetazo, Deathcontrol play a mix of old-school grindcore and experimental noisecore. The Endless Echo of His Own Litany contains 17 minutes of material, divided between the two styles; six grind songs, five noisecore tracks. Continue reading “Deathcontrol – The Endless Echo of His Own Litany (Review)”
This is the fourth album from US black metallers Canis Dirus.
By the Grace of Death contains 38 minutes of atmospheric black metal. Through a captivating mix of hostility, beauty, and dark splendour, Canis Dirus have produced a record that’s undeniably potent. Continue reading “Canis Dirus – By the Grace of Death (Review)”
This is the third album from Portuguese black metal band Monte Penumbra.
It’s been eleven years (!) since I last caught up with Monte Penumbra on Heirloom of Sullen Fall, so a reunion is long overdue. Containing 41 minutes of new material, Austere Dawning offers us a journey into dissonant black metal darkness. Continue reading “Monte Penumbra – Austere Dawning (Review)”
This is the third album from Italian doom metallers Epitaph.
I enjoyed 2014’s Crawling out of the Crypt a great deal, and 2017’s Claws wasn’t too shabby either. It’s been a long time since their last album though, and Epitaph also have a new singer now too. So, what do the 41 minutes of new music on Path to Oblivion have to offer us then? Continue reading “Epitaph – Path to Oblivion (Review)”
This is the debut EP from UK death metallers Impurist.
Impurist made a good impression with me when I caught them at this year’s UK Slam Fest, so it’s high time for a dive into their 16-minute EP Punishment Without Mercy, which saw the light of day back in the depths of April. Continue reading “Impurist – Punishment Without Mercy (Review)”
This is the latest release from Australian black metal band Mesarthim.
With quite a prolific discography, I don’t get to catch up with Mesarthim as often as I’d like, (though do check out .- -… … . -. -.-. ., The Density Parameter, and CLG J02182–05102), so upon the arrival of Anthropic Bias / Departure I made sure I spent some time with it. Continue reading “Mesarthim – Anthropic Bias / Departure (Review)”
This is the fifth album from UK industrial black metal band An Axis of Perdition.
Apertures contains 48 minutes of malignant dark terror. It’s an industrial black metal vehicle for extradimensional horror that uses the listener’s mind against them. Enter into the world of An Axis of Perdition at your peril. Continue reading “An Axis of Perdition – Apertures (Review)”
This is the debut album from Australian death metallers Sarcophagum.
Essentially a side band of the gloriously nasty Golgothan Remains, (three out of four members have links to the band), Sarcophagum also boast the talents of the drummer of the mighty Ashen Horde, (also current/ex-member of Blade of Horus, Decrepid, Evilyn, Norse, Somnium Nox, Virulent Depravity, and more). Suffice to say, I knew I had to check this out. Continue reading “Sarcophagum – The Grand Arc of Madness (Review)”
This is the debut album from US post-metal band Pillar of Light.
Caldera contains 56 minutes of hulking heaviness and shaded darkness. Pillar of Light blend doom, sludge, and post-metal elements into a churning pot and use these choice ingredients to produce something weighty and thick, yet surprisingly tasty. Continue reading “Pillar of Light – Caldera (Review)”
This is the debut album from Danish death metal band Neckbreakker.
Within the Viscera contains 46 minutes of music for fans of pit-friendly heaviness. Neckbreakker’s style is a death metal one that has a healthy dollop of groove metal and hardcore thrown in for good measure, all with the aim of getting people moving. It works too. Continue reading “Neckbreakker – Within the Viscera (Review)”
Wonderbox Metal 