Desekryptor and Draghkar are both old-school death metal bands from the US, and they have teamed up for this split.
Both bands offer up a single track to this release, with Desekryptor starting us off with The Ceremony of Cleaning Corpses. Continue reading “Desekryptor/Draghkar – Split (Review)”
Tantal are a Russian metal band and this is their third album.
Mixing elements of modern, progressive, melodic, and Gothic metal into 49 minutes of music, Ruin is the follow up to 2014’s Expectancy, which was a good starter for getting to know Tantal’s sound. Ruin sees the band Continue reading “Tantal – Ruin (Review)”
All My Sins are a Serbian black metal band and this is their latest release.
After the enjoyable Lunar/Solar from last year, we now have this new EP that gives us one track off an upcoming full length album, and one that’s exclusive to this current short release. Continue reading “All My Sins – Zov iz Magle (Review)”
Death Engine are a French hardcore band and this is their second album.
I like Death Engine. Like, a lot. Mud was a massively enjoyable album of multifaceted, nuanced hardcore, showing a breadth of delivery and depth of substance that’s extremely rare to encounter outside of the mighty Converge. This should not be taken to mean that Death Engine sound like Converge, however. Continue reading “Death Engine – Place Noire (Review)”
Æpoch are a Canadian death metal band and this is their debut album.
Æpoch play progressive death metal, with additional elements of both black and thrash metal appearing in their sound here and there. Continue reading “Æpoch – Awakening Inception (Review)”
Hundred Year Old Man are a post-metal/sludge band from the UK and this is their debut album.
Breaching contains almost 60 minutes of affecting, emotive material. With a post-metal approach to intensity the band wield their various influences to produce atmospheric sludge metal that’s a monolithic and immersive listening experience. Continue reading “Hundred Year Old Man – Breaching (Review)”
Louise Lemón is a Swedish death gospel artist and this is her debut album.
Mixing folk, soul, Gothic, electronic, pop, and ambient into slow, meaningful songs, Purge contains 31 minutes of exquisite material. Pretty much every second of it is tinged with darkness and melancholy, which has all contributed towards the creation of a superlative collection of tracks. Continue reading “Louise Lemón – Purge (Review)”
Whoresnation are a grindcore band from France and this is their second album.
Featuring 20 tracks in 20 minutes, you know this is going to be a savage listen. As soon as you press play, the onslaught begins. Continue reading “Whoresnation – Mephitism (Review)”
This is the second album from French black metallers Abduction.
I liked Une Ombre Régit les Ombres a lot, so now that the band have returned with album number two, it’s time to get reacquainted with their characterful brand of black metal. Continue reading “Abduction – A l’Heure du Crépuscule (Review)”
None are a black metal band from the US and this is their second album.
We met None on last year’s self-titled debut album, and it comes as some surprise to see there’s a new one here already, (scheduled for release on the same day as the first, no less). Continue reading “None – Life Has Gone on Long Enough (Review)”
Wonderbox Metal 