This is the twelfth album from US metal band Today Is the Day.
Following on from 2014’s Animal Mother and 2020’s No Good to Anyone, comes the 47-minute Never Give In. Today Is the Day are fascinating, unique, and unpredictable, which makes every release something special. I’ve been looking forward to digging into this one, whatever it might hold. Continue reading “Today Is the Day – Never Give In (Review)”
This is the debut album from German doom metal band Mriodom.
Vlies contains 44 minutes of music that takes elements of doom metal, stoner metal, and psychedelic rock into itself, producing five songs that earn their own keep. Mriodom’s music hits the spot nicely. Continue reading “Mriodom – Vlies (Review)”
Agriculture are a post-black metal band from the US and this is their second album.
The Spiritual Sound is the 44-minute follow up to 2023’s well-received Agriculture. Combing a range of diverse ingredients into an engaging post-black metal sound, Agriculture’s new record is a step up for the band. Continue reading “Agriculture – The Spiritual Sound (Review)”
This is the second album from Heathe, a post-metal/rock band from Denmark.
Control Your Soul’s Desire for Freedom is the 64-minute follow up to 2019’s On the Tombstones; the Symbols Engraved. Heathe have developed their sound on this new record, expanding widely into multifaceted waters that take in a broad set of influences. I’ve tagged this above as post-metal/rock, but it’s not really – at least not in any traditional sense. They are simply the closest broad terms relevant. There’s certainly very little in the way of metal on this record, for example. Heathe exist in a niche world, where a lot of recognisable materials have been mangled into something quite atypical. Continue reading “Heathe – Control Your Soul’s Desire for Freedom (Review)”
De Profundis are a death metal band from the UK and this is their latest EP.
I have a lot of time for De Profundis. If you haven’t already, check out 2014’s Frequencies, 2015’s Kingdom of the Blind, 2018’s The Blinding Light of Faith, and 2022’s The Corruption of Virtue. All are well-worth your time. The band are now back with The Gospel of Rot, which brings us four tracks across 17-minutes, as well as a new bassist and singer. Continue reading “De Profundis – The Gospel of Rot (Review)”
Enragement are a Finnish death metal band and this is their fourth album.
Enragement play music that’s rooted in the brutal death metal style, but not limited to it. Across 40 minutes, Extinguish All Existence launches ten vicious tracks at the listener, running them to ground with brutal efficiency and a cruel smile. Continue reading “Enragement – Extinguish All Existence (Review)”
This is the fifth album from Swedish metal band Orbit Culture.
I enjoyed 2020’s Nija, 2021’s Shaman, and 2023’s, Descent, so Death Above Life is well-received. If you’re unfamiliar with Orbit Culture, check these previous releases out if you’re a fan of bands such as Gojira, In Flames, Lamb of God, Meshuggah, Metallica, Slipknot, Soilwork, Static-X, Sylosis, Thy Art Is Murder, and Trivium. Continue reading “Orbit Culture – Death Above Life (Review)”
This is the fourth album from UK black/doom/heavy metal band Wode.
This is the follow up to 2021’s Burn in Many Mirrors, and a record I’m pleased to see appear. Uncrossing the Keys is not more of the same from Wode though. This should be expected, as each Wode album so far has found the band adding to their musical framework. Continue reading “Wode – Uncrossing the Keys (Review)”
This is the debut album from black metal band Achathras.
A mysterious entity, formed by veterans of the scene apparently, Achathras certainly know their stuff. A Darkness of the Ancient Past contains 43 minutes of classic 90s black metal, and it’s pretty damn good. Continue reading “Achathras – A Darkness of the Ancient Past (Review)”
This is the debut album from solo Dutch black metal band Sterveling.
Brought to us by an ex-member of Wesenwille, Sterveling brings us three sprawling songs across 43 minutes. Despite being a solo act, there are three others involved in the album who provide vocals, synths and additional vocals. Continue reading “Sterveling – Sterveling (Review)”
Wonderbox Metal 