This is the twelfth album from UK progressive metallers Threshold.
Threshold always put out a good album, (check out 2014’s For the Journey and 2017’s Legends of the Shire for a couple of examples), so who could resist it when the 65 minutes of new material on Dividing Lines appeared? Not I. Continue reading “Threshold – Dividing Lines (Review)”
This is the debut album from Black Cross Hotel, an industrial band from the US.
Hex initially caught my eye due to Black Cross Hotel containing a member of Stabbing Westward. On closer inspection it seems there are also members of The Atlas Moth, Corrections House, Minsk, and Broken Hope in the band, all of which attracted me further. All very intriguing. However, Continue reading “Black Cross Hotel – Hex (Review)”
This is the third album from Canadian progressive metallers Osyron.
Osyron play a form of progressive metal that takes influence from both old and new. There are elements of classic power and heavy metal, alongside newer, heavier, modern metal influences, Continue reading “Osyron – Momentous (Review)”
This is the fourth album from German progressive metal band Disillusion.
Ayam offers 59 minutes of idiosyncratic progressive metal. Highly melodic, with atmospheric, symphonic, and avant-garde touches, Disillusion have created a big, epic album, in more ways than one. Continue reading “Disillusion – Ayam (Review)”
Therion are a Swedish symphonic/operatic metal band and this is their eighteenth album.
2021’s Leviathan was one of my favourite records from that year. How it didn’t end up on my end of year list I’ll never know, and it remains a massive oversight on my part. Suffice to say it’s an absolute killer record, and I love its ostentatious charms. In all honesty I don’t think I’ll have the same long-term reaction to Leviathan II, but that doesn’t stop it from being a damn fine record in its own right. Continue reading “Therion – Leviathan II (Review)”
Psychonaut are a Belgian post-metal band and this is their second album.
Having enjoyed Psychonaut’s 2021 Emerald – split with Sâver, I’ve been looking forward to seeing what the band could do with a longer release. So now we have it – Violate Consensus Reality contains 53 minutes of material for the listener to explore. Continue reading “Psychonaut – Violate Consensus Reality (Review)”
Throwing Bricks are from the Netherlands and play post-metal/sludge. This is their second album.
The Burden contains 46 minutes of music that mixes together elements of sludge, hardcore, and black metal into a bleak post-metal cocktail. The band’s hybrid approach to their art is compelling, and The Burden offers fans of modern sludgy extremity a feast of scathing vocals and anguished riffs to explore. Continue reading “Throwing Bricks – The Burden (Review)”
This is the third album from Finnish sludge metal band Black Royal.
We’ve met Black Royal before, on their 2016 EP The Summoning Pt.2, as well as their previous album Firebride, which made quite an impact. With a duration of 48 minutes Earthbound delivers meaty songs full of nutrient-dense tastiness. Continue reading “Black Royal – Earthbound (Review)”
This is the second album from US thrash metallers Rhythm of Fear.
Now that’s some old-school cover art right there. The music is equally old-school, delivering 47 minutes of spiked crossover thrash metal heaviness. Continue reading “Rhythm of Fear – Fatal Horizons (Review)”
This is the ninth album from US metal band Lamb of God.
I haven’t properly listened to Lamb of God since 2009’s Wrath, so it is a pleasure to hear them once more, doing what they do so well. Continue reading “Lamb of God – Omens (Review)”
Wonderbox Metal 