This is the debut album from Russian death metallers Reconstructed Torso.
Reconstructed Torso play a sci-fi themed brand of brutal death metal, and it’s damn good stuff. Despite its underground flavour, Varied offers a lot more to fans of the style than many of the band’s peers. Continue reading “Reconstructed Torso – Varied (Review)”
Ancient Gate are an Argentinian black metal band and this is their second album.
Now here’s an album that really reminds me of the 90s. Yep, this is raw, underground, second wave worship through-and-through, and if you’re a fan of the style that’s no bad thing. Continue reading “Ancient Gate – Empire Beyond Dusk (Review)”
Silver Knife are an international post-black metal band and this is their debut album.
Featuring members of bands such as Cult of Erinyes and Laster, Silver Knife have produced 42 minutes of harsh, mood-driven black metal. Continue reading “Silver Knife – Unyielding/Unseeing (Review)”
This is the debut album from Finnish black metallers Väki.
Kuolleen Maan Omaksi mixes old and new black metal styles together to create an album that draws from both to weave its dark magicks. The end result is a modern interpretation of blackened extremity, one which ably demonstrates a band with a lot of potential. Continue reading “Väki – Kuolleen Maan Omaksi (Succumbed to the Dead Soil) (Review)”
Ov Shadows are a Swedish black metal band and this is their second album.
Featuring a member of Obitus, Ov Shadows play ferocious, yet textured, black metal that should find favour with fans of bands such as Dark Funeral, Nordjevel, Nightbringer, Barshasketh, etc. Continue reading “Ov Shadows – I Djävulens Avbild (Review)”
The Phantom Carriage are a blackened hardcore band from France and this is their third album.
As the album title suggests, it’s been 7 years since the band’s second album, and 7-Year Epilogue is one that I’ve definitely been looking forward to. If you’re unfamiliar with the band’s work, then put simply; The Phantom Carriage combine Continue reading “The Phantom Carriage – 7-Year Epilogue (Review)”
Primitive Man are a doom band from the US and this is their third album.
I confess a deep love for Primitive Man’s work, (here, here, here, here, here, here, here), so Immersion is much-anticipated by yours truly. Compared to the band’s previous albums, Immersion contains a surprisingly brief 36 minutes of material, but it makes the most of every minute. Continue reading “Primitive Man – Immersion (Review)”
This is the fifth album from UK death metallers Ingested.
Following on from 2018’s The Level Above Human, Where Only Gods May Tread finds the band on top form, and continuing to develop their sound to incorporate wider elements, while still mainly providing the sheer bludgeoning that made Continue reading “Ingested – Where Only Gods May Tread (Review)”
This is the third album from Havukruunu, a Finnish black metal band.
Uinuos Syömein Sota contains 47 minutes of black metal mixed with elements of heavy metal and folk. Viking/pagan/folk metal, or blackened heavy metal, or some such version of these words, are all appropriate tags, but Continue reading “Havukruunu – Uinuos Syömein Sota (Review)”
Somniate are a black metal band from Czechia and this is their debut album.
Containing members of bands such as Brutally Deceased, Self-Hatred, Mallephyr, and Heaving Earth, The Meyrinkian Slumber is a different proposition than most of Somniate’s component bands, and gifts us with 32 minutes of modern black metal instead. Continue reading “Somniate – The Meyrinkian Slumber (Review)”
Wonderbox Metal 