This is Old-School Death Metal with swagger, confidence and a feeling of grim determination mixed with a sense of graveyard fun.
The singer snarls and growls his way through the carnage and there’s more than a touch of Obituary about him.
Quality solos and playing all-round make for an enjoyable listen. The sound is balanced and the drums in particular sound quite satisfying. I also like that you can hear the bass. Hurrah for bass!
This is an album of good songs and good riffs; an album celebrating the time when songs were more important than how fast or how technical you could play.
Slow, mid-paced, fast; Human Hecatomb uses all tempos, speeds and paces well demonstrating Pyre’s good grasp of dynamics and songwriting.
A healthy Swedish Death Metal influence can be heard throughout this album, but it’s not an overbearing one and certainly not one that would give people who are sick of that particular sub-genre enough reason to avoid Pyre. In fact, I’d go as far as to say that there are very few reasons to avoid Pyre if you’re a fan of Classic Death Metal.
This really is great stuff. If you love Death Metal you’ll love Pyre.