This is the fifth album from US death metal band Fallujah.
Fallujah have a storied list of releases at this point, (The Flesh Prevails, Dreamless, Undying Light, Empyrean), all worth getting your teeth into. After the slight dip in quality that was Undying Light, Fallujah returned very strong with Empyrean. All of which means I have been interested to see what the 42-minute Xenotaph brings us this time around. Continue reading “Fallujah – Xenotaph (Review)”
Celestial Scourge are a Norwegian death metal band and this is their debut album.
Featuring members of Blood Red Throne and Deception, Celestial Scourge are here to destroy. Observers of the Inevitable contains 30 minutes of brutal technical death metal, and it’s a raging mass of controlled savagery. Continue reading “Celestial Scourge – Observers of the Inevitable (Review)”
This is the debut album from Swedish death metallers Retromorphosis.
Well, this was an instantly enticing proposition. It’s death metal brought to us by ex-members of Spawn of Possession, (four out of five of Retromorphosis’ members), and an ex-member of Decrepit Birth, which is enough to get anyone’s notice. However, when you look at their collective history though, you realise just how much experience they bring to the table – Alkaloid, Blood Red Throne, Deeds of Flesh, Defeated Sanity, Eschaton, Obscura, Necrophagist, Visceral Bleeding, and many others. What a list! Considering this, expectations are high for Psalmus Mortis, perhaps unfairly so. Continue reading “Retromorphosis – Psalmus Mortis (Review)”
This is the second album from US death metallers Civerous.
We last met Civerous on their 2020 split with Stygian Obsession, so it’s great to be able to hear a full album from them. Brought to us by members of Aylwin and Tzompantli, Maze Envy contains 42 minutes of cavernous death that’s wrapped around doom and black metal elements. Continue reading “Civerous – Maze Envy (Review)”
This is the debut album from US death metal band Apogean.
Cyberstrictive contains 44 minutes of modern technical death metal. As a lazy intro, I’m just going to quote the blrub on their Bandcamp page – “Apogean drew their inspiration from such groups as Soreption, The Faceless, Obscura, Necrophagist, The Black Dahlia Murder, Archspire, and The Zenith Passage. It’s a safe bet that fans of those bands will thoroughly enjoy what they have to offer.” Continue reading “Apogean – Cyberstrictive (Review)”
This is the debut album from US death metal band Distention.
Featuring current and ex-members of bands such as Equipoise, Rivers of Nihil, The Kennedy Veil, The Last Ten Seconds of Life, and Virulent Depravity, you know a lot of experience has gone into the 30 minutes of brutal material on Nothing Comes from Death, and it shows. Continue reading “Distention – Nothing Comes from Death (Review)”
The Zenith Passage are a death metal band from the US and this is their third album.
Well, it’s been a shockingly long time since the first album by The Zenith Passage – Solipsist was released in 2016, and a lot has happened since then. When it comes to the band themselves, they have now returned with an almost completely new lineup, which includes a bassist and singer who were both in The Faceless. So, across its 46 minutes of material, what does Datalysium have to offer us, and does it match up to the hype? Continue reading “The Zenith Passage – Datalysium (Review)”
Entheos are a progressive death metal band from the US and this is their third album.
Entheos play a technical and progressive form of modern death metal. Time Will Take Us All offers 40 minutes of complexity and intricate delivery. This is then melded with the melodic strands of modern death metal as well as the Continue reading “Entheos – Time Will Take Us All (Review)”
Soreption are a Swedish death metal band and this is their fourth album.
I thoroughly enjoyed 2014’s Engineering the Void, so Jord was high on my list of albums to check out. Clocking in at a lean 31 minutes Jord doesn’t mess around. Rarely have the gods of technical groove found such a fitting outlet as Soreption. Continue reading “Soreption – Jord (Review)”
This is the second album from Alluvial, a modern death metal band from the US.
Sarcoma contains 38 minutes of progressive death metal. Alluvial fuse their modern approach to the style with technical, progressive, and atmospheric flourishes, yet do so in a restrained song-based way. This results in songs that are atypical expressions of Continue reading “Alluvial – Sarcoma (Review)”
Wonderbox Metal 