Featuring current and ex-members of bands such as The Ritual Aura, Deeds of Flesh, Arsis, Eschaton, Pillory, Inanimate Existence, and The Kennedy Veil, Ashes of Dead Worlds contains a lot of experience packed tightly into its 34 minutes. Continue reading “In Asymmetry – Ashes of Dead Worlds (Review)”
After giving the promo email the once over, how could I not want to give Glossolalia a spin? Recommended for fans of bands such as At the Gates, God Dethroned, Dark Tranquillity, and Carpathian Forest? Containing current/ex-members of Possessed, Decrepit Birth, Black Crown Initiate, The Kennedy Veil, and Angerot? Listening to this was always going to happen. Continue reading “Empty Throne – Glossolalia (Review)”
Winds of Plague aren’t your average deathcore band, I’m very pleased to tell you. Here’s a band that have kept the core brutality of the style intact, while spreading their wings with symphonic/orchestral elements and bursts of melodic aggression. Continue reading “Winds of Plague – Blood of My Enemy (Review)”
I loved Trinity of Falsehood, absolutely loved it. For me, it was an almost perfect example of modern death metal, and ever since that release I’ve been eagerly awaiting their next album. Continue reading “The Kennedy Veil – Imperium (Review)”
This is modern, sophisticated death metal with haunting atmospherics that accompany the relentless brutality. With a science fiction theme that provides an overarching story for the album, Aversions Crown spend 50 minutes telling a brutal and engaging tale. Continue reading “Aversions Crown – Xenocide (Review)”
This is 34 minutes of modern death metal that effectively combines speed and groove.
Cannibal Corpse-esque riffs mix with elements of deathcore and bands like The Kennedy Veil and Origin, as well as sprinklings of thrash metal here and there. The resultant music sounds like none of the above bands too much, although you can hear where their influences come from. That the band can clearly acknowledge Continue reading “Omnicide – Constants and Variables (Review)”
Featuring a crushing and professional sound, Against the Plagues play Death Metal mixed with lashings of Melodic Black Metal.
Deep growls and higher screams are the singer’s weapons of choice, with both sounding feral and full of hatred.
The band manage to take the savagery of Death Metal and infuse it with the melodic poison of Black Metal’s dark soul. This mixture means that Purified Through Devastation contains a good deal of catchy and memorable content. It’s not all blasting and brutality, (although they’re quite adept at that too), and these songs have quite a bit of atmosphere when they want to. Think a combination of Immolation, Morbid Angel and The Kennedy Veil crossed with Dimmu Borgir.
The muscular sound backs up the innate strength of the songs and subtle keyboards add a nuanced juxtaposition against the bare brutality of the drums and aggressive riffs. Mood and feeling is created with melodic workouts and the band can get quite martial and epic in scope on occasion.
It’s a modern take on Blackened Death Metal that sees the band highlighting the glossier, state-of-the-art side of both genres, resulting in a well-polished album that is also very well crafted. The band clearly know what they do and do it well. As Extreme Metal goes in 2015, this is a definite winner in my book.
This is an album that spits venom and fire, one that I’m more than happy to visit again and again. I suggest you do too.
Comprised of members and ex-members from veteran groups such as Fear Factory, Aborted, System Divide and Malignancy, Gorepunch already have a lot of experience. Give ‘Em Hell makes the most of this and wastes no time in getting to the heart of the matter – blood, guts and blasting brutality. Remember, the quickest way to the heart is through the ribcage.
Their album has an interesting approach to Death Metal that takes some influence from Grindcore but largely adopts a split between Technical Death Metal and a state-of-the-art modern approach, resulting in an album that’s just at home slaying you with a direct approach or flaying you alive with an off-centre complicated attack. It’s a formula that results in a Modern Death Metal album with its putrid fingers in enough different pies to keep you happy and focused throughout the 26 minutes playing time.
The songs are like an enjoyable beating and feature good playing, pummelling riffs and savage vocals. The band use enough melodics to keep things engaging, but don’t allow them to go overboard and detract from the brutality.
A really engaging release that satisfies those cravings for a short, sharp blast of aural carnage that still has some substance to the barbarity.
Who doesn’t love a bit of Modern Death Metal? I know I do. Sharp and tight, played with just the right hint of Deathcore and heavier than a barrelful of spanners? Sign me up!
Take a look at the album cover – you know what you’re getting yourself into. If you like bands such as The Kennedy Veil, Wormed, Alterbeast, Job for a Cowboy, Bloodtruth, Deep in Hate, etc. then this is another must.
This is brutal music played for the love of carnage and all things destructive. Lightning riffs and chugging menace work alongside inhuman drumming and lethal intent.
The vocals are aggressive growls that trade off with scything screams. The vocalist clearly knows his business and puts in a top-rate performance.
These songs have the requisite speed and brutality to them but I also like the energetic riffing and dynamic nature of the guitars. There’s also somewhat of a Morbid Angel/Behemoth feel to some of the guitar parts, which is a different angle that differentiates them from some of their similar peers.
There are some nice ideas and interesting enhancements on this, a good example is the added orchestration that infuses some of the songs and creates another layer of atmosphere to the proceedings. Top work.
I particularly enjoy some of the lead guitarwork and there are plenty of solos to satisfy as well, which is something I really like too. These chaotic melodics work well with the hardened brutality of Ichor’s core and the songs come alive with a darkness that sometimes even borders on the edge of Blackened Death Metal.
Yes, yes; much like Swedish Death Metal I’m a sucker for this kind of stuff, but this really is a damn fine album. The cutting riffs, growling hatred and superior songwriting mean Ichor will be with me for some time to come.
Here’s to plumbing the depths…
This is modern state-of-the-art Death Metal blistering with aggression and serrated to the touch. They are so contemporary it almost hurts; but there is no Djent in sight nor are there any breakdowns. Instead we get pure unadulterated razor-sharp Death Metal; fresh, focused and utterly singular in its murderous intent.
Completely stripped of fat, frills and in a tip top lean fighting condition; these eleven songs tear, rip and batter all-comers into bloody heaps and then look around hungrily for the next victory.
The band are no slouches in the playing department and the songs are endlessly brutal in a very satisfying way.
Concise rhythms and relentless percussion assault the jaded mind sparking long-forgotten passions and dreams. In a slumber of Death Metal bands going through the motions the energy and vigour of a modern Death Metal group like The Kennedy Veil is exactly what is needed. If this is the future then the future is bright.