The Bearer are a hardcore band from the US and this is their second release.
The Bearer play hardcore that’s influenced by metal – so far, so generic, right? Wrong. On paper this description may be accurate, but it doesn’t do The Bearer’s sound justice. Continue reading “The Bearer – Fiction (Review)”
Foreword is Disperse’s third album. They play progressive rock/metal and are from Poland.
Disperse take elements from both old and new progressive music and incorporate them into their thoroughly modern take on the style.
Complexity, syncopation and Continue reading “Disperse – Foreword (Review)”
Locust Leaves are a Greek avant-garde/progressive black metal band and this is their debut album.
This is black metal that embraces classic, thrash and progressive metal in its search for a perfect form of artistic expression. Continue reading “Locust Leaves – A Subtler Kind of Light (Review)”
Palmer are a post-metal band from Switzerland and this is their third album.
Palmer play contemporary heavy music that takes in elements of metal, sludge, progressive metal, post-metal and post-hardcore into its embrace. These influences manifest in various ways throughout the album, but Continue reading “Palmer – Surrounding the Void (Review)”
This is the fifth album from Demonic Resurrection, a symphonic black/death metal band from India.
First impression – the album art is amazing.
Featuring members of Demonstealer and Albatross, Demonic Resurrection play epic blackened death metal with flair and style, influenced by Hindu mythology in both theme and sound. Continue reading “Demonic Resurrection – Dashavatar (Review)”
Into Orbit are a post-metal band from New Zealand. This is their second album.
Unearthing is just over 40 minutes long and combines post-metal/rock, progressive metal/rock, doom, drone and ambient. Continue reading “Into Orbit – Unearthing (Review)”
This is the second album from Danish djent band Ghost Iris.
Blind World mixes the progressive, technical and modern metal strains together with the djent style into 39 minutes of heavy beats, complex riffs and catchy songs.
The vocals mix guttural shouts and Continue reading “Ghost Iris – Blind World (Review)”
This is the debut album from Australian instrumental metal band Vipassi.
Śūnyatā is 30 minutes of instrumental music that combines elements of progressive, technical and death metal together to form an engaging and thoughtful listening experience.
Atheist, Cynic and Death are the Continue reading “Vipassi – Śūnyatā (Review)”
Memories in Broken Glass are a modern metal band from the US. This is their debut album.
This is modern progressive/technical metal with a djent slant that showcases how it’s easily possible to create involving modern music without it coming off as overproduced plastic rubbish. Continue reading “Memories in Broken Glass – Enigma Infinite (Review)”
Riviẽre are a progressive metal band from France and this is their debut album.
This is an intriguing blend of styles that uses progressive metal as a base to launch forays into post-rock, post-hardcore and alternative metal.
As you may be able to ascertain from Continue reading “Riviẽre – Heal (Review)”
Wonderbox Metal 