This is the second album from Russian post-black metal band Haze of Summer.
I enjoyed 2017’s Znoi, and on the band’s new release we get a further 33 minutes of melodic post-black metal. The album follows on from Znoi, even down to the tracklisting, which picks up where the last one left off. Continue reading “Haze of Summer – Stuzha (Review)”
Kval are a black metal band from Finland and this is their second album.
I’ve been greatly anticipating the next Kval release, as the band’s 2017 self titled debut album was quite the underground find. The debut seemed to be a solo affair, whereas this new one seems to have added a guitarist. Continue reading “Kval – Laho (Review)”
Well, there were so many high quality albums that came out in April it was quite impressive. I had a shortlist of 20 that I wanted to highlight, but decided that 20 was a bit too excessive. So, after great pained deliberation, I give you the ten below… Continue reading “Monthly Overview – the Best of April 2019”
Forlet Sires are a Swiss post-black metal band. This is their second album.
2016’s Journey Towards Ruin was a definite highlight of that year, so as soon as I was told about this new release, I was quite excited. Continue reading “Forlet Sires – Holy (Review)”
Varaha are an atmospheric metal band from the US and this is their debut album.
This album contains 69 minutes of music that merges blackgaze, doom, post-black, Gothic, and post-metal together into a beguiling and affecting package. Continue reading “Varaha – A Passage for Lost Years (Review)”
Dead to a Dying World are a blackened doom band from the US and this is their third album.
2015’s Litany was a sprawling, ambitious album. It was also very good, although this new release is something quite new and special in some ways. The band have returned with the even more expansive and developed Elegy. Showing greater focus of delivery, (49 minutes vs Litany’s 73), Elegy is also wider ranging and boasts Continue reading “Dead to a Dying World – Elegy (Review)”
Waldgeflüster are a German black metal band and this is their fifth album.
2016’s Ruinen was a notable and very enjoyable record, one which I’ve returned to many times over the years. Mondscheinsonaten is their much-anticipated new album, one that takes the core of Ruinen and builds it up to even greater heights. Continue reading “Waldgeflüster – Mondscheinsonaten (Review)”
March proved to be this year’s strongest month for metal releases yet. I was hard-pressed to keep this list as short as it is, and any of the albums listed below are worthy of your attention. Continue reading “Monthly Overview – the Best of March 2019”
Mord’A’Stigmata are a post-black metal band from Poland and this is their fifth album.
After 2013’s Ansia and 2017’s Hope, I’m a firm fan of what this band produce, and Dreams of Quiet Places is their latest masterpiece. I don’t use that word lightly either. Continue reading “Mord’A’Stigmata – Dreams of Quiet Places (Review)”
This is the third album from Falaise, a post-black metal band from Italy.
I’ve enjoyed watching Falaise develop over the years. 2015’s As Time Goes By introduced the world to the band’s melancholic, depressive take on atmospheric post-black metal, and then 2017’s My Endless Immensity consolidated the band’s strengths, further expanding their post-black metal sound. Continue reading “Falaise – A Place I Don’t Belong To (Review)”
Wonderbox Metal 