This is the the debut album by US extreme metal band Till the Dirt.
Brought to us by the singer of Atheist, Outside the Spiral contains 46-minutes of atypical extreme metal. It has a death metal base, but this is spliced with a few different influences to create something a little outside of the norm. Continue reading “Till the Dirt – Outside the Spiral (Review)”
This is the second album from Greek symphonic modern metallers Project Renegade.
Ultra Terra is a 57-minute expression of contemporary metallic heaviness that takes in a range of old and new influences to produce an album of catchy, accessible songs. In other words, they play stadium-friendly heavy music with big choruses and symphonic enrichments. Continue reading “Project Renegade – Ultra Terra (Review)”
This is the debut album from US metal band Caustic Echoes.
The Passing of Moonlight contains 50 minutes of well-written melodic metal. The style is one that combines elements of old and new, from 90s nu-metal and heavy metal, and 00s European metal and metalcore, to more contemporary influences. Continue reading “Caustic Echoes – The Passing of Moonlight (Review)”
This is the debut album from US metal band Memorrhage.
Now here’s an album I couldn’t miss out on. Brought to us by a member of Cara Neir, Memorrhage is a tribute to the 90s metal scene, specifically nu-metal and the related styles around this, including hardcore, metalcore, and industrial. Yep, I had to hear this. Continue reading “Memorrhage – Memorrhage (Review)”
This is the debut album from Swedish metal band Curse of Cain.
Now here’s an interesting and unexpected release. Curse of Cain‘s 42 minutes weaves a compelling post-apocalyptic story that cooks together a bunch of different ingredients that probably shouldn’t work, but actually does. The end result is tasty and satisfying. Continue reading “Curse of Cain – Curse of Cain (Review)”
This is the debut album from Canadian experimental metal band Vvon Dogma I.
The Kvlt of Glitch contains 45 minutes of modern music that combines aspects of progressive, technical, avant-garde, industrial, and nu-metal. Elements of djent, electronica, ambient, and orchestral sounds enrich the music too, making for a very textured, unusual, and multifaceted release. Continue reading “Vvon Dogma I – The Kvlt of Glitch (Review)”
This is the second album from UK alternative/melodic metal band As Everything Unfolds.
Ultraviolet contains 36 minutes of modern metal that blends together elements of alternative rock, post-hardcore, metalcore, and nu-metal, into an enjoyable and charismatic record. Continue reading “As Everything Unfolds – Ultraviolet (Review)”
To the Grave are an Australian deathcore band and this is their second album.
In part of the promo blurb for this album it mentions To the Grave’s ‘accessible extremity’, which is a great way to describe what the songs on Director’s Cuts offer. This music provides the absolutely brutal heaviness that I love, while also delivering actual Continue reading “To the Grave – Director’s Cuts (Review)”
Oceans are a metal band from Germany/Austria, and this is their second album.
This is the follow up to 2020’s enjoyable The Sun and the Cold, and features 39 minutes of new material. Well, I say new, this album seems to have been already released as three EPs , making this a compilation of sorts. Continue reading “Oceans – Hell Is Where the Heart Is (Review)”
Borders are a modern metal band from the UK. This is their second album.
Borders impressed with their 2017 EP Diagnosed, which they followed up with the enjoyable Purify in 2019. Now the band are back with 31 minutes of new material on Bloom Season, and they sound bigger and more ambitious than ever. Continue reading “Borders – Bloom Season (Review)”
Wonderbox Metal 