Ov Sulfur are a blackened deathcore band from the US and this is their debut album.
The Burden ov Faith is a brutal slab of deathcore that takes a blackened and symphonic approach to its blasphemous heaviness. Ov Sulfur spend 44 minutes dealing out punishment of a form that’s surprisingly rich in delivery. Continue reading “Ov Sulfur – The Burden ov Faith (Review)”
Viscera are a death/metalcore band from the UK and this is their second album.
Carcinogenesis follows on from 2020’s Obsidian, which was a record I loved, so I have been really looking forward to hearing this new one. It has not disappointed. Continue reading “Viscera – Carcinogenesis (Review)”
To the Grave are an Australian deathcore band and this is their second album.
In part of the promo blurb for this album it mentions To the Grave’s ‘accessible extremity’, which is a great way to describe what the songs on Director’s Cuts offer. This music provides the absolutely brutal heaviness that I love, while also delivering actual Continue reading “To the Grave – Director’s Cuts (Review)”
Suasion are a Belgian modern metal band this is their second album.
Suasion’s music is a modern brand of metal that has electronic, ambient, and orchestral enhancements, alongside influences from metalcore, alternative metal, progressive rock, djent, pop, and industrial. A lot has gone into the making of The Infinite, and the band’s ambition is well-realised. Continue reading “Suasion – The Infinite (Review)”
Mask of Prospero are a modern metal band from Greece and this is their second album.
Hiraeth provides a 41-minute contemporary blend of progressive metal, djent, and metalcore. Continue reading “Mask of Prospero – Hiraeth (Review)”
For I Am King are a metal band from the Netherlands and this is their third album.
For I Am King play a style of heavy music rooted in melodic death metal and the more merciless strains of metalcore. Think a mix of bands like Darkest Hour and Arch Enemy, with a touch of The Black Dahlia Murder and you’ll be on the right lines. Continue reading “For I Am King – Crown (Review)”
This is the debut album from Hei’An, a progressive metal band from Slovenia.
Imago is a long album. With a duration of 69 minutes there’s a lot of material here, (86 minutes with the Slovenian versions of three of the tracks included). Thankfully Hei’An’s progressive metal is wide-ranging enough that it is up to the task of filling this time nicely. Continue reading “Hei’An – Imago (Review)”
Oceans are a metal band from Germany/Austria, and this is their second album.
This is the follow up to 2020’s enjoyable The Sun and the Cold, and features 39 minutes of new material. Well, I say new, this album seems to have been already released as three EPs , making this a compilation of sorts. Continue reading “Oceans – Hell Is Where the Heart Is (Review)”
Borders are a modern metal band from the UK. This is their second album.
Borders impressed with their 2017 EP Diagnosed, which they followed up with the enjoyable Purify in 2019. Now the band are back with 31 minutes of new material on Bloom Season, and they sound bigger and more ambitious than ever. Continue reading “Borders – Bloom Season (Review)”
This is the debut album from Kassogtha, a death metal band from Switzerland.
rEvolve contains 62 minutes of modern death metal that’s shot through with progressive influences, melodic death metal streaks, and metalcore muscle. It is a engaging mix of modern metallic styles, resulting in an album that ranges from harsh brutality to soaring choruses, atmospheric heaviness, and emotive richness. Continue reading “Kassogtha – rEvolve (Review)”
Wonderbox Metal 