This is a split between Fit for an Autopsy, Thy Art Is Murder, and Malevolence, who are from the US, Australia, and the UK respectively. It’s the successor of sorts to 2016’s The Depression Sessions. Each band contributes one original and one cover track to this release, which lasts 23 minutes in total. Continue reading “Fit for an Autopsy/Thy Art Is Murder/Malevolence – The Aggression Sessions – Split (Review)”
Tag: Metal
Ernte – Albsegen (Review)
This is the second album from Swiss black metallers Ernte.
Featuring a member of Ashtar, Albsegen contains 50 minutes of well-crafted black metal. Balancing aggression and atmosphere, this is a satisfying listen that’s easy to enjoy if you’re a fan of the style. Continue reading “Ernte – Albsegen (Review)”
Yskelgroth – Bleeding of the Hideous (Review)
Yskelgroth are a black metal band from Spain and this is their second album.
Featuring the vocalist from the mighty Avulsed, Bleeding of the Hideous is a 33-minute mix of black and death metal that’s ferocious and harsh, yet not without depth and substance. Continue reading “Yskelgroth – Bleeding of the Hideous (Review)”
Ignominy – Imminent Collapse (Review)
Ignominy are from Canada and play death metal. This is their debut album.
Ignominy are not a standard death metal act, and Imminent Collapse is not your run-of-the-mill death metal album. Rooted in the dissonant style, theirs is an avant-garde expression of dissodeath that incorporates blackened textures, technical flourishes, chaotic intensity, and atmospheric proclivities. Continue reading “Ignominy – Imminent Collapse (Review)”
Mork – Dypet (Review)
This is the sixth album from one-man Norwegian black metal act Mork.
The artist behind Mork is always reliable, and always puts out the sort of classic black metal material that makes albums like 2017’s Eremittens Dal so enjoyable. On Dypet the music of Mork spends 48 minutes making the most of its old-school black metal influences to produce an album that has evolved past its roots. Continue reading “Mork – Dypet (Review)”
Thron – Dust (Review)
Thron are a black metal band from Germany and this is their fourth album.
Now boasting the drummer of the mighty Aara in their ranks, Dust contains 55 minutes of accomplished black metal. I haven’t caught up with the band since 2018’s Abysmal, so it’s good to hear what they’re up to once more, and I have not been disappointed. Quite the opposite, in fact. Continue reading “Thron – Dust (Review)”
Leukotomy – Eternal Path to Eden (Review)
Leukotomy are a Vietnamese black metal band and this is their debut album.
Eternal Path to Eden delivers 51 minutes of black metal that has a second wave base which has been adorned with avant-garde enrichments. Continue reading “Leukotomy – Eternal Path to Eden (Review)”
Rotten Sound – Apocalypse (Review)
This is the eighth album from Finnish grindcore band Rotten Sound.
Following on from 2018’s Suffer to Abuse, Apocalypse unleashes a condensed barrage of mayhem and carnage for us to be punished by. 18 songs in just 21 minutes? Count me in! None of the tracks on Continue reading “Rotten Sound – Apocalypse (Review)”
Sermon – Of Golden Verse (Review)
This is the second album from UK progressive metal band Sermon.
Of Golden Verse is a 49-minute tour de force of engaging progressive metal. Sermon’s new album immediately grabs your attention with its vibrant, feeling-focused personality, and holds it throughout the running time by the sheer quality and richness of its material. Continue reading “Sermon – Of Golden Verse (Review)”
Aara – Triade III: Nyx (Review)
This is the fifth album from Swiss black metal band Aara.
Another year, another Aara record, and I’m very happy about this. Triade III: Nyx is the final instalment in the trilogy that brought us Triade I: Eos from 2021 and the stellar Triade II: Hemera from last year. Continue reading “Aara – Triade III: Nyx (Review)”
Wonderbox Metal 