This is the debut album from UK solo grindcore band Chairmaker.
When an album is recommended for fans of Pig Destroyer and Agoraphobic Nosebleed, I have to at least spare it more than a cursory glance. What I discovered when I did was an utterly brutal 14-minute grindcore explosion. Yep, that’s me sold. Continue reading “Chairmaker – Leviathan Carcass (Review)”
Another year, another Damnation Festival. Has it really been 20 years? I went to the very first one waaaaay back in 2005, and a love affair was born. It has been great to watch it become one of the world’s best festivals. Kudos to the organisers for their continued passion and ability.
This edition is therefore the festival’s twentieth year and sees Damnation bigger and arguably better than ever before. It’s across two days now, and the lineup is strong in both depth and breadth. From veteran classics to newborn sensations, the festival has it all. Continue reading “Damnation Festival 2025 – BEC Arena, Manchester – 08/11/25-09/11/25 (Live Review)”
This is the debut album from grindcore band Barren Path.
Basically brought to us by a mix of personnel from Gridlink and Maruta, Barren Path are here to remind everyone of just how potent grindcore can be when it’s in the right hands. With 12 tracks over 14 minutes, Grieving is a whirlwind of controlled chaos and devastation. Continue reading “Barren Path – Grieving (Review)”
This is the debut album from US grindcore band Defigurement.
Defigurement are described as playing a technical/avant-garde/experimental form of grindcore. Couple this with the fact that the band contain current/ex-members of bands such as Bad Acid Trip, Changeling, Fear Factory, Invidiosus, Malignancy, Success Will Write Apocalypse Across the Sky, and Zillah, and this was one I wanted to check out. Continue reading “Defigurement – Endbryo (Review)”
This is the sixth album from Australian death metallers Werewolves.
Another year, another Werewolves album. Whether it’s 2022’s From the Cave to the Grave, 2023’s My Enemies Look and Sound Like Me, or 2024’s Die for Us, you basically know what you’re getting yourself into, and in my humble opinion it’s always gonna be good. If ferocious, unforgiving death metal, with a blackened bite and a technical edge is your thing, (along with some thrashy and grindy goodness), then The Ugliest of All is definitely for you. Continue reading “Werewolves – The Ugliest of All (Review)”
This is the third album by US deathgrind band Abraded.
Containing an ex-member of Noxis, Abraded play festering death metal that’s been further filthened up by an injection of nasty grindcore. The 26 minutes of Ethereal Emanations from Chthonic Caries is a brutal piece of work. Continue reading “Abraded – Ethereal Emanations from Chthonic Caries (Review)”
This is the second album from Shock Narcotic, a grindcore band from the US.
Following on from 2019’s I Have Seen the Future and It Doesn’t Work, My Flesh Is Afraid but I Am Not contains 23 minutes of new material, (27 minutes with the bonus Meathook Seed cover). Featuring current and ex-members of bands such as The Dillinger Escape Plan and Child Bite, I’ve previously described Shock Narcotic roughly as a cross between Napalm Death and Pig Destroyer, and as the band now feature the drummer of Pig Destroyer in their ranks, the comparison is even more apt. Continue reading “Shock Narcotic – My Flesh Is Afraid but I Am Not (Review)”
This is the fifth album from Greek grindcore band Dephosphorus.
Dephosphorus play an extreme metal amalgamation of hardcore, grind, death metal, and black metal. It’s vicious, inventive, and rather tasty. Over 28 minutes Planetoktonos showcases what Dephosphorus are capable of in no uncertain terms. Continue reading “Dephosphorus – Planetoktonos (Review)”
Meth Leppard are an Australian grindcore band and this is their second album.
Gatekeepers is a 10-track, 15-minute kick in the face. Meth Leppard offer up an intense dose of brutality that should find fans of bands like Axis of Despair, Insect Warfare, Leng Tch’e, Maruta, Nasum, Pig Destroyer, and Rotten Sound quite happy. Continue reading “Meth Leppard – Gatekeepers (Review)”
This is the second album from UK extreme metallers Outergods.
Outergods play a hybrid style that mixes black, death, and grind influences into a 45-minute record of brutal intensity. The band’s Bandcamp page recommends this for At The Gates, Anaal Nathrakh, Morbid Angel, Hate Eternal, and Strapping Young Lad, which should give you a good starting point for Dethroned & Devoured. Continue reading “Outergods – Dethroned & Devoured (Review)”
Wonderbox Metal 