Doom – Page 49 – Wonderbox Metal

Indigo Raven – Looking for Transcendence (Review)

This is the debut album from French doom metal band Indigo Raven.

Featuring a member of Mourir, Indigo Raven deliver 43 minutes of doom on Looking for Transcendence, (including bonus track, a Mazzy Star cover). The promo blurb states that the “trio’s sound emerges from the Peaceville Three’s influence with a modern sludge approach”, and this is a suitable description of what you’ll find on this album. To this I’d also add a certain 80s pop sensibility that makes for songs that stick in the head. Continue reading “Indigo Raven – Looking for Transcendence (Review)”

Green Lung – Black Harvest (Review)

Green Lung are a doom rock band from the UK and this is their second album.

Green Lung play a catchy and infectious brand of doom rock. The band have an expansive sound that takes liberally from doom metal, hard rock, folk, stoner, and Gothic rock. Continue reading “Green Lung – Black Harvest (Review)”

Misanthur – Ephemeris (Review)

This is the debut album from Polish black metallers Misanthur.

Ephemeris offers a 56-minute journey into darkness. Spreading itself across a range of styles and genres, including post-black metal, dark ambient, noise, doom, jazz, and industrial, the album is a multifaceted collection of apocalyptic soundscapes brought to vibrant life by a talented act. Continue reading “Misanthur – Ephemeris (Review)”

Qoya – Yōkai (Review)

Qoya are a French doom rock/post-punk band and this is their debut album.

Qoya play an unusual form of doom rock with elements of post-metal and post-punk, along with shades of shoegaze and sludge. This has resulted in a dreamy collection of tracks that have a multifaceted heart that’s rich with emotion. Continue reading “Qoya – Yōkai (Review)”

Illudium – Ash of the Womb (Review)

This is the second album from Illudium, a post-metal/shoegaze band from the US.

The style on Ash of the Womb is a hybrid one that takes liberally from post-metal, post-rock, shoegaze, grunge, and doom. The end result is a captivating collection of tracks with its own voice. Illudium write music that has recognisable components that you can attribute influences to, but the band exist very much on their own terms. Continue reading “Illudium – Ash of the Womb (Review)”

Kowloon Walled City – Piecework (Review)

This is the fourth album from US sludge metal band Kowloon Walled City.

It seems like a long time since Grievances saw the light of day in 2015. The band have now returned with Piecework, their shortest and most refined album to date. Continue reading “Kowloon Walled City – Piecework (Review)”

Mercury Circle – Killing Moons (Review)

This is the debut album from Finnish dark doom rockers Mercury Circle.

Featuring current and ex-members of Swallow the Sun and Children of Bodom, Killing Moons contains 63 minutes of infectiously dark music. The overall style is one of doom-infused, moody, synth-enriched dark rock. Continue reading “Mercury Circle – Killing Moons (Review)”

Label Roundup: Les Acteurs de L’Ombre Productions – Limbes, Mütterlein, Aorlhac, & Hegemon (Reviews)

Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.

Les Acteurs de L’Ombre Productions has released some very strong albums over the years, so I always like to keep up with what they’re putting out. Imagine my horror when I discovered that I was a good couple of months behind with their releases. To rectify, I’ve collected the three below for your delectation… Continue reading “Label Roundup: Les Acteurs de L’Ombre Productions – Limbes, Mütterlein, Aorlhac, & Hegemon (Reviews)”

Abstracter – Abominion (Review)

This is the fourth album from US doom band Abstracter.

As follow up to 2108’s mighty slab of malefic horror that was Cinerous Incarnate, (and Wound Empire and Tomb of Feathers before it), Abominion is Abstracter’s latest assault on the light. Continue reading “Abstracter – Abominion (Review)”

Megalith Levitation – Void Psalms (Review)

This is the second album from Russian doom/stoner metal band Megalith Levitation.

2019’s Acid Doom Rites was a colossal trip into long-form doom, and it made enough of an impact so now that Void Psalms has surfaced, I feel ready once more to dive into the band’s evocative and rich world. Continue reading “Megalith Levitation – Void Psalms (Review)”