Déhà is a Belgian solo artist who plays in a vast multitude of bands, across a variety of styles. In his solo work alone he spans a wide range of genres. This album is his 26th, (I think).
Decadanse was unleashed into the world back in March, so I’m a bit late to this particular party, but what an insanely madcap and enjoyable party it is! Continue reading “Déhà – Decadanse (Review)”
This is the third album from Swedish doom metal band Cities of Mars.
Cities of Mars offers a richly textured doom experience that combines elements of sludge, stoner, and ambient into itself. The promo blurb says that Cities of Mars is for fans of Mastodon, Kylesa, Sleep, Baroness, and The Sword, and that’s as good a place as any to start with. Continue reading “Cities of Mars – Cities of Mars (Review)”
Bog Body are a blackened sludge metal band from the US and this is their debut album.
Oh dear. This is some gloriously foul stuff. Bog Body have come to torment us with a 34-minute deluge of swampy horror that’s wonderfully hideous. Cryonic Crevasse Cult is a sort of corrupted mix of sludge doom and black metal, with touches of death metal and industrial nightmare added for extra terror. Continue reading “Bog Body – Cryonic Crevasse Cult (Review)”
This is the second album from Italian death/doom band Assumption.
Following on from 2014’s The Three Appearances and 2018’s Absconditus, Hadean Tides contains 56 minutes of new material from Assumption. Continue reading “Assumption – Hadean Tides (Review)”
Come to Grief are a sludge band from the US and this is their debut album.
Formed by ex-members of Grief, When the World Dies contains 38 minutes of harsh ugliness for fans of Grief, Fistula, Eyehategod, Yatra, Burning Witch, Iron Monkey, and Thou. Prepare yourself, as Come to Grief take no prisoners. Continue reading “Come to Grief – When the World Dies (Review)”
This is the second album from UK doom band Famyne.
II: The Ground Below offers a modern take on the traditional doom metal sound. Across 45 minutes Famyne incorporate a few elements from other subgenres into their sound, complementing their core style well. Continue reading “Famyne – II: The Ground Below (Review)”
This is the second album from UK black metal act Ante-Inferno.
Ante-Inferno play atmospheric black metal, and on Antediluvian Dreamscapes they deliver 43 minutes of contemporary blackened darkness. Continue reading “Ante-Inferno – Antediluvian Dreamscapes (Review)”
Another month, another explosion of quality metal albums to listen to and fall in love with. Peruse the five standout releases below from April and let me know what tickles your fancy… Continue reading “Monthly Overview – the Best of April 2022”
Ufomammut are an Italian doom band and this is their ninth album.
The follow up to 2015’s Ecate and 2017’s 8, Fenice offers up a change of direction for Ufomammut’s in some ways. Continue reading “Ufomammut – Fenice (Review)”
This is the debut album from US death/doom band Tzompantli.
Tlazcaltiliztli contains 33 minutes of crushing death/doom, brought to us by members of Teeth and Xibalba. The band’s take on doom-infused death metal is terrifying and harsh; Tlazcaltiliztli is one of the foulest and most baleful albums I’ve heard in a while. Continue reading “Tzompantli – Tlazcaltiliztli (Review)”
Wonderbox Metal 